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De la televisión de pago al video bajo demanda. Análisis de la primera temporada de la estrategia de producción original de ficción de Movistar+
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De la televisión de pago al video bajo demanda. Análisis de la primera temporada de la estrategia de producción original de ficción de Movistar+ (2018)De la televisión de pago al video bajo de…Netflix and the Re-invention of Television (2018)Netflix and the Re-invention …Desarrollo y asentamiento del vídeo bajo demanda (VOD) en España: el caso de Filmin (2018)Desarrollo y asentamiento del…TV Got Better: Netflix’s Original Programming Strategies and the On-Demand Television Transition (2015)TV Got Better: Netflix’s Orig…El nuevo negocio mediático liderado por Netflix: estudio del modelo y proyección en el mercado español (2015)El nuevo negocio mediático li…Is this TVIV? On Netflix, TVIII and binge-watching (2014)Is this TVIV? On Netflix, TVI…Para-television and discourses of distinction: The culture of production at HBO (2009)Para-television and discourse…The Long Tail: Why the Future of Business Is Selling Less of More. (2008)The Long Tail: Why the Future…The long tail: why the future of business is selling less of more (2007)The long tail: why the future…Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)The Gulf War Did Not Take Place. (1997)Netflix, Amazon, and branded television content in subscription video on-demand portals (2017)Binge-watching motivates change: Uses and gratifications of streaming video viewers challenge traditional TV research (2018)Understanding motivations to use online streaming services: integrating the technology acceptance model (TAM) and the uses and gratifications theory (UGT) (2020)Television: Technology and Cultural Form (1974)Visible Fictions: Cinema: Television: Video (1982)Netflix audience data, streaming industry discourse, and the emerging realities of ‘popular’ television (2021)Netflix original series, global audiences and discourses of streaming success (2021)Screen Distribution and the New King Kongs of the Online World (2013)Netflix: catálogo de contenido y flujo televisivo en tiempos de big data (2021)Presencia y liderazgo de la mujer en el audiovisual: el impacto de las plataformas streaming (2021)Case Study Research: Design and Methods (1984)The Netflix Effect Technology and Entertainment in the 21st Century (2016)El 'product placement' inverso en la ficción española: el caso de 'Velvet' (2021)Netflix's communication strategy on Twitter and Instagram during the unlock in Spain: humour, proximity and information (2022)Extracting Dimensions of Consumer Satisfaction with Quality from Online Chatter: Strategic Brand Analysis of Big Data Using Latent Dirichlet Allocation (2014)Information technology and consumer behavior in travel and tourism: Insights from travel planning using the internet (2014)Taken Out of Context: American Teen Sociality in Networked Publics (2017)Role of social media in online travel information search (2009)Impact of Online Consumer Reviews on Sales: The Moderating Role of Product and Consumer Characteristics (2010)Organizing for Innovation in the Digitized World (2012)The binge-watcher’s journey: Investigating motivations, contexts, and affective states surrounding Netflix viewing (2019)Hollywood studio filmmaking in the age of Netflix: a tale of two institutional logics (2020)Algorithmic logics and the construction of cultural taste of the Netflix Recommender System (2021)A return to form? Postmasculinist television drama and tragic heroes in the wake ofThe Sopranos (2012)TV Got Better: Netflix's Original Programming Strategies and Binge Viewing (2015)Emotional Realism, Affective Labor, and Politics in the Arab Fandom of Game of Thrones (2023)
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References

  • 2007The long tail: why the future of business is selling less of more2,882 cited
  • 2018Netflix and the Re-invention of Television400 cited
  • 2014Is this TVIV? On Netflix, TVIII and binge-watching380 cited
  • 2008The Long Tail: Why the Future of Business Is Selling Less of More.208 cited
  • 2015TV Got Better: Netflix’s Original Programming Strategies and the On-Demand Television Transition128 cited
  • 2009Para-television and discourses of distinction: The culture of production at HBO77 cited
  • 2015El nuevo negocio mediático liderado por Netflix: estudio del modelo y proyección en el mercado español42 cited
  • 2018Desarrollo y asentamiento del vídeo bajo demanda (VOD) en España: el caso de Filmin37 cited

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