SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Fifty Shades of Bluebeard? Dukas'sAriane et Barbe-Bleuein the Twenty-First Century
16 references·0 citing·32 second hop
Fifty Shades of Bluebeard? Dukas'sAriane et Barbe-Bleuein the Twenty-First Century (2018)Fifty Shades of Bluebeard? Dukas'sAriane …Colloquy: Sexual Violence in Opera: Scholarship, Pedagogy, and Production as Resistance (2018)Colloquy: Sexual Violence in …Postfeminism(s) and the Arrival of the Fourth Wave (2017)Postfeminism(s) and the Arriv…Postfeminism(s) and the arrival of the fourth wave : turning tides (2017)Postfeminism(s) and the arriv…Modernist Mysteries: Perséphone (2012)Modernist Mysteries: Persépho…Porn Style? Space and Time in Live Opera Videos (2010)Porn Style? Space and Time in…Digital Diva: Opera on Video (2010)Digital Diva: Opera on Video“Robo-Diva R&B”: Aesthetics, Politics, and Black Female Robots in Contemporary Popular Music (2008)“Robo-Diva R&B”: Aesthetics, …Disruptive Acts: The New Woman in Fin-de-Siecle France (2002)Disruptive Acts: The New Woma…Disruptive Acts (2002)Disruptive ActsSiren Songs: Representations of Gender and Sexuality in Opera (2001)Siren Songs: Representations …A New Woman reader : fiction, articles, and drama of the 1890s (2001)A New Woman reader : fiction,…‘Believe’? Vocoders, digitalised female identity and camp (2001)‘Believe’? Vocoders, digitali…Queering the Pitch: The New Gay and Lesbian Musicology (1994)Queering the Pitch: The New G…Feminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gend…The Daughters of Danaus (1989)The Daughters of DanausOpera, or the Undoing of Women (1979)Opera, or the Undoing of WomenImagined Communities. Reflections on the Origin and Spread of Nationalism (1985)We have never been modern (1994)Simulacra and Simulation (1995)HD Opera: A Love/Hate Story (2011)Almost like being there? A conceptualisation of live-streaming theatre (2018)As Seen on TV: Putting the NBC Opera on Stage (2018)The (im)possibility of intellectual work in neoliberal regimes (2005)Opera in the Novel from Balzac to Proust (2011)Postmodern, Post-Structural, and Critical Theories (2012)Handbook of Emotions (1993)Club cultures: music, media and subcultural capital (1996)Music in Everyday Life (2000)The Cambridge Companion to Opera Studies (2012)Staging Overcoming: Narratives of Disability and Meritocracy in Reality Singing Competitions (2017)After Debussy (2020)Between the perfect and the problematic: everyday femininities, popular feminism, and the negotiation of intersectionality (2019)Factions, frames, and postfeminism(s) in the Body Positive Movement (2020)Feminism and futurity: Geographies of resistance, resilience and reworking (2021)The Modern Girl as Heuristic Device (2008)German liberalism in the nineteenth century (2011)Elsa Schiaparelli, The New Woman, and Surrealist Politics (2015)Paranoid Reading and Reparative Reading; or, You’re So Paranoid, You Probably Think This Introduction is About You EVE KOSOFSKY SEDGWICK (1997)Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space (2000)Getting to Count (2021)The Victorian Age, 1832–1901 (2018)Literature, Print Culture, and Media Technologies, 1880–1900 (2019)Anti-Debussyism and the Formation of French Neoclassicism (2017)MAPPING MYSTERY: BRELET, JANKÉLÉVITCH, AND PHENOMENOLOGIES OF MUSIC IN POST-WORLD WAR II FRANCE (2017)Remaking Classical Music: Cultures of Creativity inPleasure Garden (2019)Historicizing and Gendering Celebrity Culture: Famous Women in Nineteenth-Century France (2004)Militarization and violence against women in conflict zones in the Middle East: a Palestinian case-study (2010)Soviet Women in Combat: A History of Violence on the Eastern Front (2010)
this work references cited by second hop

References

  • 1992Feminine Endings: Music, Gender, and Sexuality828 cited
  • 1979Opera, or the Undoing of Women175 cited
  • 2002Disruptive Acts148 cited
  • 2017Postfeminism(s) and the Arrival of the Fourth Wave135 cited
  • 2001Siren Songs: Representations of Gender and Sexuality in Opera134 cited
  • 1994Queering the Pitch: The New Gay and Lesbian Musicology122 cited
  • 2012Modernist Mysteries: Perséphone121 cited
  • 2001A New Woman reader : fiction, articles, and drama of the 1890s66 cited
  • 2010Digital Diva: Opera on Video65 cited
  • 2002Disruptive Acts: The New Woman in Fin-de-Siecle France64 cited
  • 2001‘Believe’? Vocoders, digitalised female identity and camp61 cited
  • 2017Postfeminism(s) and the arrival of the fourth wave : turning tides49 cited
  • 2008“Robo-Diva R&B”: Aesthetics, Politics, and Black Female Robots in Contemporary Popular Music47 cited
  • 2018Colloquy: Sexual Violence in Opera: Scholarship, Pedagogy, and Production as Resistance42 cited
  • 2010Porn Style? Space and Time in Live Opera Videos39 cited
  • 1989The Daughters of Danaus

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

33 cited

Cited by

No citing works inside the corpus for this window.