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Orwell’s Tattoos: Skin, Guilt, and Magic in ‘Shooting an Elephant’ (1936)
3 references·0 citing·9 second hop
Orwell’s Tattoos: Skin, Guilt, and Magic in ‘Shooting an Elephant’ (1936) (2018)Orwell’s Tattoos: Skin, Guilt, and Magic …6. Remembering Fanon: Self, Psyche, and the Colonial Condition (2022)6. Remembering Fanon: Self, P…Or Orwell (2016)Or OrwellConsensuality (2009)ConsensualityLate Modernism and the Spanish Civil War (2019)Coda (2020)Europe, Refugees, andNineteen Eighty-Four (2020)The skins we live in (2016)A Radically Open Analysis: Writing as Wrapping, Video as Skin (2021)Caring for the Dead (2022)LEARNING DESIRE Relational Pedagogies and the Desiring Female Subject in Lebanon (2005)Black/Feminist Futures: Reading Beauvoir in Black Skin, White Masks (2013)Postcolonial responses to decolonial interventions (2022)
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  • 20226. Remembering Fanon: Self, Psyche, and the Colonial Condition188 cited
  • 2016Or Orwell64 cited
  • 2009Consensuality48 cited

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