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Analysis of Contemporary Violin Recordings of 19th Century Repertoire: Identifying Trends and Impacts
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Analysis of Contemporary Violin Recordings of 19th Century Repertoire: Identifying Trends and Impacts (2018)Analysis of Contemporary Violin Recording…Theory and Practice in Late Nineteenth-Century Violin Performance (2021)Theory and Practice in Late N…The Performance Style of Jascha Heifetz (2016)The Performance Style of Jasc…A Musicology of Performance (2015)A Musicology of PerformanceThe Notation Is Not the Music: Reflections on Early Music Practice and Performance (2013)The Notation Is Not the Music…Identity in Violin Playing on Records: Interpretation Profiles in Recordings of Solo Bach by Early Twentiety-Century Violinists (2009)Identity in Violin Playing on…The End of Early Music (2007)The End of Early MusicPortamento and the Phonograph Effect (2006)Portamento and the Phonograph…Is Diversity in Musical Performance Truly in Decline? The Evidence of Sound Recordings (2006)Is Diversity in Musical Perfo…Between theory and practice: comparative study of early music performances (2006)Between theory and practice: …Performing music in the age of recording (2004)Performing music in the age o…History, imagination and the performance of music (2004)History, imagination and the …Playing with History (2002)Playing with HistoryBeethoven: Violin Concerto (1998)Beethoven: Violin ConcertoText and Act: Essays on Music and Performance (1996)Text and Act: Essays on Music…Early recordings and musical style: changing tastes in instrumental performance, 1900-1950 (1993)Early recordings and musical …The Postmodern Condition: A Report on Knowledge (1984)Marvelous Possessions (1991)The Heritage Crusade and the Spoils of History (1998)Compositions, Scores, Performances, Meanings (2012)The Cambridge Companion to Opera Studies (2012)The Structure of Scientific Revolutions (1963)The Past is a Foreign Country (1986)Musicking: the meanings of performing and listening (1999)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Women and Music in Sixteenth-Century Ferrara (2018)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)The Cambridge Companion to Percussion (2016)Loving Music Till It Hurts (2019)Magnified Vision, Mediated Listening and the ‘Point of Audition’ of Early Romanticism (2013)Beethoven 1806 (2019)Cyclic Integration in the Instrumental Music of Haydn and Mozart (2019)Variety in Performance: A comparative Analysis of Recorded Performances of Bach's Sixth Suite for Solo Cello from 1961 to 1998 (2011)“An Essential Expression of the People”: Interpretations of Hasidic Song in the Composition and Performance History of Ernest Bloch's Baal Shem (2012)Expressiveness in Historical Perspective (2014)Performers’ discourses on listening to recordings (2020)Baroque Music in Post-War Cinema (2021)Translating musical meaning (2023)Tempo, duration, and flexibility: Techniques in the analysis of performance (1996)Between Process and Product (2001)Reviving the Golden Age Again:“Classicization,” Hindustani Music, and the Mughals (2010)Practice and Principle: Perspectives upon the German ‘Classical’ School of Violin Playing in the Late Nineteenth Century (2012)The New State of Play in Performance Studies (2017)Rethinking Brahms (2022)Staging a Handel opera (2006)
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References

  • 2004Performing music in the age of recording292 cited
  • 2002Playing with History252 cited
  • 1996Text and Act: Essays on Music and Performance190 cited
  • 1993Early recordings and musical style: changing tastes in instrumental performance, 1900-1950161 cited
  • 2007The End of Early Music152 cited
  • 2004History, imagination and the performance of music80 cited
  • 2015A Musicology of Performance63 cited
  • 1998Beethoven: Violin Concerto62 cited
  • 2021Theory and Practice in Late Nineteenth-Century Violin Performance41 cited
  • 2006Portamento and the Phonograph Effect36 cited
  • 2013The Notation Is Not the Music: Reflections on Early Music Practice and Performance27 cited
  • 2006Between theory and practice: comparative study of early music performances12 cited
  • 2009Identity in Violin Playing on Records: Interpretation Profiles in Recordings of Solo Bach by Early Twentiety-Century Violinists11 cited
  • 2006Is Diversity in Musical Performance Truly in Decline? The Evidence of Sound Recordings11 cited
  • 2016The Performance Style of Jascha Heifetz10 cited

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