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The formation of the West German power metal scene and the question of a ‘Teutonic’ sound
4 references·7 citing·26 second hop
The formation of the West German power metal scene and the question of a ‘Teutonic’ sound (2019)The formation of the West German power me…– The Symbolic Construction of Community (2013)– The Symbolic Construction o…Extreme Metal: Music and Culture on the Edge (2006)Extreme Metal: Music and Cult…Running with the devil: power, gender, and madness in heavy metal music (1993)Running with the devil: power…Producing Pop: Culture and Conflict in the Popular Music Industry (1992)Producing Pop: Culture and Co…Harmonic structures in twenty-first-century metal music: A harmonic analysis of five major metal genres (2023)Harmonic structures in twenty…Keeper of the Seven Keys: Audio heritage in metal music production (2022)Keeper of the Seven Keys: Aud…The Recording Industry as the Enemy? A Case Study of Early West German Metal Music (2021)The Recording Industry as the…The Politics of Rammstein’s Sound (2021)The Politics of Rammstein’s S…Teutonic Metal: Effects of Place- and Mythology-based Labels on Record Production (2021)Teutonic Metal: Effects of Pl…Culture-specific production and performance characteristics: An interview study with ‘Teutonic’ metal producers (2021)Culture-specific production a…From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal (2020)From Bach to Helloween: ‘Teut…The Invention of Tradition (1986)The Established and the Outsiders (1994)Achieving Intelligibility whilst Maintaining Heaviness when Producing Contemporary Metal Music (2012)Sonic Signatures in Metal Music Production. Teutonic vs British vs American Sound (2020)From analogue to algorithm: How private production reshaped metal aesthetics (2024)Understanding Popular Music (2003)Living in the End Times (2010)The Society of the Spectacle (2020)THE SYMBOLIC CONSTRUCTION OF COMMUNITY (1985)The Discovery of Grounded Theory; Strategies for Qualitative Research (1968)The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)The Discovery of Grounded Theory (2017)Neo-Riemannian Theory and the Analysis of Pop-Rock Music (2004)A corpus analysis of rock harmony (2011)MUSICAL STYLE, IDEOLOGY, AND MYTHOLOGY IN NORWEGIAN BLACK METAL (2011)Constructing Ethnicity: Creating and Recreating Ethnic Identity and Culture (1994)Masculinity and nationalism: gender and sexuality in the making of nations (1998)What Schools Need to Know About Fostering School Belonging: a Meta-analysis (2016)Club cultures: music, media and subcultural capital (1996)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)Music in Everyday Life (2000)Authenticity as authentication (2002)Classification as Culture: Types and Trajectories of Music Genres (2008)What Is Sociological about Music? (2010)Dark tourism motivations: Simulation, emotional contagion and topographic comparison (2012)
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References

  • 2013– The Symbolic Construction of Community1,837 cited
  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 2006Extreme Metal: Music and Culture on the Edge465 cited
  • 1992Producing Pop: Culture and Conflict in the Popular Music Industry416 cited

Cited by

  • 2021Teutonic Metal: Effects of Place- and Mythology-based Labels on Record Production57 cited
  • 2021The Recording Industry as the Enemy? A Case Study of Early West German Metal Music48 cited
  • 2020From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal7 cited
  • 2021Culture-specific production and performance characteristics: An interview study with ‘Teutonic’ metal producers7 cited
  • 2021The Politics of Rammstein’s Sound3 cited
  • 2023Harmonic structures in twenty-first-century metal music: A harmonic analysis of five major metal genres3 cited
  • 2022Keeper of the Seven Keys: Audio heritage in metal music production2 cited

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