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Hear Here: Prehistoric Artists Preferentially Selected Reverberant Spaces and Choice of Subject Matter Underscores Ritualistic Use of Sound
16 references·1 citing·35 second hop
Hear Here: Prehistoric Artists Preferentially Selected Reverberant Spaces and Choice of Subject Matter Underscores Ritualistic Use of Sound (2018)Hear Here: Prehistoric Artists Preferenti…Cave acoustics in prehistory: Exploring the association of Palaeolithic visual motifs and acoustic response (2017)Cave acoustics in prehistory:…Introduction to Rock Art Research (2016)Introduction to Rock Art Rese…Acoustic rock art landscapes: A comparison between the acoustics of three levantine rock art areas in mediterranean Spain (2015)Acoustic rock art landscapes:…The Sound of Rock Art. The Acoustics of the Rock Art of Southern A ndalusia ( S pain) (2014)The Sound of Rock Art. The Ac…Acoustics and Levantine rock art: auditory perceptions in La Valltorta Gorge (Spain) (2012)Acoustics and Levantine rock …Time, Color, and Sound: Revisiting the Rock Art of Didima Gorge, South Africa (2011)Time, Color, and Sound: Revis…Sound resonance in prehistoric times: A study of Paleolithic painted caves and rocks (2008)Sound resonance in prehistori…Introduction to rock art research (2006)Introduction to rock art rese…Aesthetics and Rock Art (2006)Aesthetics and Rock ArtRoaring Rocks: An Audio-Visual Perspective on Hunter-Gatherer Engravings in Northern Sweden and Scandinavia (2002)Roaring Rocks: An Audio-Visua…On the sound dimension of prehistoric painted caves and rocks (1995)On the sound dimension of pre…Sound reflection as an explanation for the content and context of rock art (1993)Sound reflection as an explan…Sound and rock art (1993)Sound and rock artLa dimension sonore des grottes ornées (1988)La dimension sonore des grott…Palaeolithic Cave Art. (1968)Palaeolithic Cave Art.Treasures of prehistoric art (1967)Treasures of prehistoric artChildren as playful artists (2024)Children as playful artistsThe Identification of Prehistoric Hunter-Gatherer Aggregation Sites: The Case of Altamira [and Comments and Reply] (1980)Archaeologies of art : time, place, and identity (2008)Acoustic Measurements and Digital Image Processing Suggest a Link Between Sound Rituals and Sacred Sites in Northern Finland (2017)Do You Hear What I See? Analyzing Visibility and Audibility in the Rock Art Landscape of the Alicante Mountains of Spain (2017)Echoing landscapes: Echolocation and the placement of rock art in the Central Mediterranean (2017)Shamanism: Archaic Techniques of Ecstasy (1951)The Order of Things: An Archaeology of the Human Sciences. (1971)A Phenomenology of Landscape: Places, Paths and Monuments (1994)Exploring Adaptive Variation among Hunter-gatherers with Binford’s Frames of Reference (2013)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Rock Art and Ontology (2017)New flutes document the earliest musical tradition in southwestern Germany (2009)U-Series Dating of Paleolithic Art in 11 Caves in Spain (2012)Sound Archaeology: A Study of the Acoustics of Three World Heritage Sites, Spanish Prehistoric Painted Caves, Stonehenge, and Paphos Theatre (2019)The Acoustics of Aggregation Sites: Listening to the Rock Art Landscape of Cuevas de la Araña (Spain) (2022)Rock Art and Ritual: An Archaeological Analysis of Rock Art in Arid Central Australia (2006)Sympathetic Magic in Western North American Rock Art (2006)A Touch of Red: Archaeological and Ethnographic Approaches to Interpreting Finnish Rock Paintings (2008)Ethnography and archaeological interpretation of funerary remains (1969)The Evolutionary Emergence of Modern Human Behaviour: Language and its Archaeology (1991)THE ARCHAEOLOGY OF SYMBOLS (1998)Archaeological Evidence for the Emergence of Language, Symbolism, and Music–An Alternative Multidisciplinary Perspective (2003)Vision, Media, Noise and the Percolation of Time (2006)Space, Sound, and Light: Toward a Sensory Experience of Ancient Monumental Architecture (2013)Engraved art and acoustic resonance: exploring ritual and sound in north-western South Africa (2009)Prehistoric Rock Art: Polemics and Progress (2010)Cross-Modality Information Transfer: A Hypothesis about the Relationship among Prehistoric Cave Paintings, Symbolic Thinking, and the Emergence of Language (2018)From A Paleolithic Art to Pleistocene Visual Cultures (Introduction to two Special Issues on ‘Advances in the Study of Pleistocene Imagery and Symbol Use’) (2006)Paleolithic Art: A Cultural History (2013)The Origins of Iconic Depictions: A Falsifiable Model Derived from the Visual Science of Palaeolithic Cave Art and World Rock Art (2018)SOBRE LA COMPOSICIÓN Y LA DISPOSICIÓN EN EL ARTE RUPESTRE DE CHILE: CONSIDERACIONES METODOLÓGICAS E INTERPRETATIVAS (2009)Negotiating Yanyuwa Rock Art (2016)A REFLECTION OF PAINTING TRADITION AND CULTURE OF THE AUSTRONESIAN BASED ON THE ROCK ART IN MISOOL, RAJA AMPAT, WEST PAPUA (2019)Real space and represented space: Cross-cultural perspectives (1989)An Ochered Fossil Marine Shell From the Mousterian of Fumane Cave, Italy (2013)
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References

  • 1967Treasures of prehistoric art193 cited
  • 1988La dimension sonore des grottes ornées109 cited
  • 2002Roaring Rocks: An Audio-Visual Perspective on Hunter-Gatherer Engravings in Northern Sweden and Scandinavia100 cited
  • 2006Introduction to rock art research92 cited
  • 1968Palaeolithic Cave Art.67 cited
  • 2017Cave acoustics in prehistory: Exploring the association of Palaeolithic visual motifs and acoustic response65 cited
  • 2012Acoustics and Levantine rock art: auditory perceptions in La Valltorta Gorge (Spain)61 cited
  • 2006Aesthetics and Rock Art50 cited
  • 1993Sound and rock art46 cited
  • 2016Introduction to Rock Art Research44 cited
  • 1995On the sound dimension of prehistoric painted caves and rocks42 cited
  • 1993Sound reflection as an explanation for the content and context of rock art41 cited
  • 2008Sound resonance in prehistoric times: A study of Paleolithic painted caves and rocks34 cited
  • 2011Time, Color, and Sound: Revisiting the Rock Art of Didima Gorge, South Africa23 cited
  • 2015Acoustic rock art landscapes: A comparison between the acoustics of three levantine rock art areas in mediterranean Spain22 cited

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  • 2014The Sound of Rock Art. The Acoustics of the Rock Art of Southern A ndalusia ( S pain)15 cited
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    • 2024Children as playful artists2 cited