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  • 2017Copying, copyright and originality: imitation, transformation and popular musicians27 cited
  • 2015Still Like That Old Time Rock and Roll: Tribute Bands and Historical Consciousness in Popular Music25 cited
  • 2012God Bless come back21 cited
  • 2017Pat Boone’s last laugh: Cover versions and the performance of knowledge18 cited
  • 2007Work and Play: Vagaries Surrounding Contemporary Cultural Production in Sydney's Dance Music Culture16 cited
  • 2011The role and significance of storytelling in the creation of the ‘post-Sixties’ Beatles, 1970–198012 cited
  • 2008“Things they do look awful cool:” Ageing rock icons and contemporary youth audiences112 cited
  • 2013English and identity in East Asian popular music12 cited
  • 2019“More than a Music, It’s a Movement”: West Papua Decolonization Songs, Social Media, and the Remixing of Resistance11 cited
  • 2021Mimicking the mimics: problematizing cover performance of Filipino local music on social media6 cited
  • 2013Frieda Hempel and the Historical Imagination6 cited
  • 2013A Long Strange Trip: The Continuing World of European Deadheads4 cited
  • 2009Cultural legitimacy or ‘outsider hip’? Representational ambiguity and the significance of Steely Dan4 cited
  • 2010

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Popular Music
4 cited
  • 2013The Influence of Dirty Pool on the Australian Live Music Industry: A Case Study of Boy & Bear3 cited
  • 2015The Beatles in Buenos Aires, Muse in Mexico City: Tribute Bands and the Global Consumption of Rock Music2 cited