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Cited by

• 2013From Coombs to Crean: popular music and cultural policy in Australia20 cited
• 2021Creative heritage: An approach for research and practice integrating heritage and the performing arts18 cited
• 2016In the Scattered Fields of Memory16 cited
• 2009Musical work in a university town: The shifting spaces and practices of DJs in Dunedin11 cited
• 2019Forging traditions: continuity and change in the mid 2000s Australian Hip-Hop scene9 cited
• 2008An ‘Orwellian vision’: Oz Rock scenes and regulation8 cited
• 2021How the Central Sydney independent musicians use pre-established ‘online DIY’ to sustain their networking during the COVID-19 pandemic8 cited
• 2012Lobby Loyde: The G.O.D. father of Australian rock7 cited
• 2020Defining Authenticity in the Mid-2000s Australian Hip-Hop Scene: Constructing and Maintaining ‘Underground’ Status at a Time of Increasing Popularity7 cited
• 2013Popular Music Studies and Ethnomusicology in Australasia5 cited
• 2009Maintaining Rage5 cited
• 2013Creating Indonesia in Australia: Bridges, Communities and Identities through Music3 cited
• 2019Critical Introduction: What Is ‘Australian’ About Australian Heavy Metal?3 cited