The Empowering Masculinity of British Heavy Metal

Abstract

This chapter argues that British heavy metal became a popular form of entertainment around the world not because of the numerous features of Britishness, but rather in spite of these features. It investigates whether heavy metal tends to adopt the post-national cultural identities of turn-of-the-millennium identity politics in terms of its musical and lyrical qualities. Ultimately, the audience is invited to deny their allegiance to the nation as a war machine. The chapter deals with Judas Priest, Thin Lizzy, Iron Maiden and Motorhead. One of the earliest stars of heavy metal music in Britain, Judas Priest was also one of the most obvious proponents of their British background. In the British context, the band Thin Lizzy offers some insight into the racial politics of heavy metal. From their early days, Iron Maiden has been one of the most influential bands of the New Wave of British Heavy Metal, which around 1980 reinvigorated the heavy metal scene.

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