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Cited by

• 2013Crossmodal correspondences between odors and contingent features: odors, musical notes, and geometrical shapes196 cited
• 2004The Library and Material Texts20 cited
• 2017Romans, Egyptians, and Crocodiles17 cited
• 2019Sex and the Disjunctive Syllogism: The Logic of Love in Donne's Poetry14 cited
• 2021A User's Guide to Melancholy14 cited
• 2016Interinanimation and Lifelessness in John Donne’s Book Studies8 cited
• 2023The Logical Renaissance6 cited
• 2015The Matter of Belief in John Donne’s Holy Sonnets4 cited
• 2019Baroquely valedicting: Donneforbidding mourning. Date, purpose, and repurposing4 cited
• 2015Anti-Court Satire, Religious Polemic, and the Many Faces of Antichrist: An Intertextual Reading of Donne’s “Satyre 4” and Spenser’s Faerie Queene2 cited
• 2021Tokens of Love2 cited
• 2020Visiting England’s Cathedrals from the Reformation to the Early Nineteenth Century2 cited
• 2016“Charitable Extasie” and Prayer for the Dead in Donne’s Devotions upon Emergent Occasions2 cited