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Passed Over: The Tragic Mulatta and (Dis)Integration of Identity in Adrienne Kennedy's Plays
6 references·1 citing·21 second hop
Passed Over: The Tragic Mulatta and (Dis)Integration of Identity in Adrienne Kennedy's Plays (2001)Passed Over: The Tragic Mulatta and (Dis)…The Subject's Tragedy: Political Poetics, Feminist Theory, and Drama (1995)The Subject's Tragedy: Politi…Intersecting Boundaries: The Theatre of Adrienne Kennedy (1992)Intersecting Boundaries: The …Owls and Rats in the American Funnyhouse: Adrienne Kennedy's Drama (1991)Owls and Rats in the American…Realism, Narrative, and the Feminist Playwright – A Problem of Reception (1989)Realism, Narrative, and the F…Drumbeats, Masks, and Metaphor: Contemporary Afro-American Theatre. (1986)Drumbeats, Masks, and Metapho…Re/cognition, Re/presentation, Re/creation in Woman-Conscious Drama: The Seer, the Seen, the Scene, the Obscene (1985)Re/cognition, Re/presentation…Fractured Identity and Agency and the Plays of Adrienne Kennedy (2006)Fractured Identity and Agency…The Location of Culture (2012)This bridge called my back : writings by radical women of color (2015)Black Skin, White Masks (2023)The Reproduction of Mothering: Psychoanalysis and the Sociology of Gender (1979)De-realised Women: Performance and Identity in Top Girls (1987)Locked Behind the Proscenium: Feminist Strategies in Getting Out and My Sister in this House (1989)Brecht on Theatre (1964)Alice Doesn't: Feminism, Semiotics, Cinema (1985)Feminist Studies/Critical Studies (1986)A Touch of Evil (1994)Art in América con Acento (1994)Performing Gender (1994)“An Evasion of Ontology”: Being Adrienne Kennedy (2005)Addressing “The Complex”-ities of Skin Color: Intra-Racism and the Plays of Hurston, Kennedy, and Orlandersmith (2009)Objects of Realism: Bertolt Brecht, Roland Barthes, and Marsha Norman (2012)"This Fundamental Challenge to Identity": Reproduction and Representation in the Drama of Adrienne Kennedy (1996)The Cambridge Introduction to Theatre and Literature of the Absurd (2015)Fragmented musicals and 1970s soul aesthetic (2012)The Cambridge Companion to African American Theatre (2012)Lorraine Hansberry: Defining the Line Between Integration and Assimilation (2010)Drama in the Harlem Renaissance (2012)
this work references cited by second hop

References

  • 1992Intersecting Boundaries: The Theatre of Adrienne Kennedy83 cited
  • 1986Drumbeats, Masks, and Metaphor: Contemporary Afro-American Theatre.62 cited
  • 1989Realism, Narrative, and the Feminist Playwright – A Problem of Reception46 cited
  • 1991Owls and Rats in the American Funnyhouse: Adrienne Kennedy's Drama14 cited
  • 1995The Subject's Tragedy: Political Poetics, Feminist Theory, and Drama13 cited
  • 1985Re/cognition, Re/presentation, Re/creation in Woman-Conscious Drama: The Seer, the Seen, the Scene, the Obscene12 cited

Cited by

  • 2006Fractured Identity and Agency and the Plays of Adrienne Kennedy6 cited

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