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Introduction — Global Psychedelia and Counterculture
13 references·0 citing·29 second hop
Introduction — Global Psychedelia and Counterculture (2018)Introduction — Global Psychedelia and Cou…Contemporary collecting: objects, practices, and the fate of things (2013)Contemporary collecting: obje…West of Center (2012)West of CenterImagine nation: the American counterculture of the 1960s and '70s (2002)Imagine nation: the American …World music (2001)World musicConsumption (2001)ConsumptionSixties rock: garage, psychedelic, and other satisfactions (1999)Sixties rock: garage, psyched…Sixties Rock: Garage, Psychedelic, and Other Satisfactions (1999)Sixties Rock: Garage, Psyched…Performing rites: on the value of popular music (1997)Performing rites: on the valu…Performing Rites (1996)Performing RitesHybrid cultures: strategies for entering and leaving modernity (1996)Hybrid cultures: strategies f…The Space between the Notes: Rock and the Counter-Culture (1993)The Space between the Notes: …The Space Between the Notes: Rock and the Counter-Culture (1992)The Space Between the Notes: …The Sixties: Years of Hope, Days of Rage (1989)The Sixties: Years of Hope, D…Transnational Migration Studies: Past Developments and Future Trends (2007)Sense of Place and Sense of Planet (2008)Normative theories of the media: journalism in democratic societies (2009)Yes, ‘Awaken’, and the progressive rock style (2001)From Psychotic to Psychedelic: The Garage Contribution to Psychedelia (2006)Resonances : noise and contemporary music (2013)Commensuration as a Social Process (1998)Culture in Interaction (2003)The Social Affordances of the Internet for Networked Individualism (2006)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Problems in comparative research: The example of omnivorousness (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)Underground, Overground: Rock Music and Youth Discourses in Iran (2005)Narrative, Interpretation, and the Popular Song (2012)Rethinking Reich (2019)The Cambridge History of Twentieth-Century English Literature (2005)From Counterculture to Cyberculture: Virtual Community Discourse and the Dilemma of Modernity (2006)The Transatlantic Sixties : Europe and the United States in the Counterculture Decade (2013)World music: deterritorializing place and identity (2004)“Playing for Change”: Peace, Universality, and the Street Performer (2010)Multiple and shifting geographies of world music production (2011)Tear down the walls: Jefferson Airplane, race, and revolutionary rhetoric in 1960s rock (2010)‘Ga, ga, ooh-la-la’: the childlike use of language in pop-rock music (2014)How the Grateful Dead Learned to Jam (2023)The Production of Culture Perspective (2004)In Search of Authenticity* (2005)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Configuring the sound-box 1965–1972 (2010)Psychedelic Popular Music (2017)
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References

  • 1996Hybrid cultures: strategies for entering and leaving modernity2,055 cited
  • 1997Performing rites: on the value of popular music1,318 cited
  • 1996Performing Rites1,123 cited
  • 1989The Sixties: Years of Hope, Days of Rage1,065 cited
  • 2002Imagine nation: the American counterculture of the 1960s and '70s261 cited
  • 1993The Space between the Notes: Rock and the Counter-Culture66 cited
  • 1992The Space Between the Notes: Rock and the Counter-Culture50 cited
  • 2001World music49 cited
  • 1999Sixties Rock: Garage, Psychedelic, and Other Satisfactions47 cited
  • 1999Sixties rock: garage, psychedelic, and other satisfactions28 cited
  • 2001Consumption19 cited
  • 2013Contemporary collecting: objects, practices, and the fate of things10 cited
  • 2012West of Center10 cited

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