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The Originality of Copies: Cover Versions and Versioning in Remix Practice
7 references·3 citing·33 second hop
The Originality of Copies: Cover Versions and Versioning in Remix Practice (2018)The Originality of Copies: Cover Versions…Remixology: Tracing the Dub Diaspora (2014)Remixology: Tracing the Dub D…Dub: soundscapes and shattered songs in Jamaican reggae (2007)Dub: soundscapes and shattere…Audio Culture: Readings in Modern Music (2004)Audio Culture: Readings in Mo…The Harvard dictionary of music (2003)The Harvard dictionary of mus…Difference and repetition (1994)Difference and repetitionPostmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The cultur…Cut 'n' Mix: Culture, Identity and Caribbean Music (1989)Cut 'n' Mix: Culture, Identit…Mixtapes and memory-making: A hip hop remix of the traditional archive (2021)Mixtapes and memory-making: A…Making Sweet Music Together: The Affordances of Networked Media for Building Performance Capital by YouTube Musicians (2021)Making Sweet Music Together: …Invented Dances, Or, How Nigerian Musicians Sculpt the Body Politic (2021)Invented Dances, Or, How Nige…The Past is a Foreign Country (1986)The Predicament of Culture (1988)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)The Musicology of Record Production (2007)Freedom time: the poetics and politics of black experimental writing (2015)Music, Mediation Theories and Actor-Network Theory (2018)Racial Innocence: Performing American Childhood from Slavery to Civil Rights (2011)Theory from the South: or, how Euro-America is evolving toward Africa (2011)The Location of Culture (2012)The Strength of Weak Ties: A Network Theory Revisited (1983)Does the Internet Increase, Decrease, or Supplement Social Capital? (2001)Spreadable Media: Creating Value and Meaning in a Networked Culture (2014)Artists and Attributions: How Music Platform Implementation Affects Parasocial Experiences and Support Intentions (2022)Building performance capital during hard lockdown: Insights from the ESNS 2021 virtual-only showcase festival (2022)“To go beyond”: towards a decolonial archival praxis (2019)Rematriation: Ts'msyen Law, Rights of Relationality, and Protocols of Return (2022)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Human geography without scale (2005)Toward a Global Idea of Race (2010)Territoriality and beyond: problematizing modernity in international relations (1993)Toward a Theory of Gender (2013)National Geographic: The Rooting of Peoples and the Territorialization of National Identity Among Scholars and Refugees (1992)The global, the local, and the hybrid: A native ethnography of glocalization (1999)Globalization's Cultural Consequences (2000)Borderlands: Dub Techno’s Hauntological Politics of Acoustic Ecology (2015)Versions, Dubs and Riddims: Dub and the Transient Dynamics of Jamaican Music (2015)Grime and Spirit: On a Hype! (2019)Beyond Representation and Signification: Toward a Sonic Materialism (2011)The Theology of Sound: A Critique of Orality (2011)Afrofuturism: The World of Black Sci-Fi and Fantasy Culture (2013)Mathematical Measures of Syncopation (2005)Value Creation and Knowledge Loss: The Case of Cremonese Stringed Instruments (2012)Music Performance As an Experimental Approach to Hyperscanning Studies (2016)
this work references cited by second hop

References

  • 1991Postmodernism, or, The cultural logic of late capitalism9,294 cited
  • 1994Difference and repetition6,721 cited
  • 2004Audio Culture: Readings in Modern Music605 cited
  • 1989Cut 'n' Mix: Culture, Identity and Caribbean Music343 cited
  • 2007Dub: soundscapes and shattered songs in Jamaican reggae195 cited
  • 2003The Harvard dictionary of music135 cited
  • 2014Remixology: Tracing the Dub Diaspora22 cited

Cited by

  • 2021Making Sweet Music Together: The Affordances of Networked Media for Building Performance Capital by YouTube Musicians11 cited
  • 2021Mixtapes and memory-making: A hip hop remix of the traditional archive4 cited
  • 2021Invented Dances, Or, How Nigerian Musicians Sculpt the Body Politic3 cited

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