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A multipurpose X-ray fluorescence scanner developed for in situ analysis
8 references·12 citing·36 second hop
A multipurpose X-ray fluorescence scanner developed for in situ analysis (2019)A multipurpose X-ray fluorescence scanner…In situ macro X-ray fluorescence (MA-XRF) scanning as a non-invasive tool to probe for subsurface modifications in paintings by P.P. Rubens (2018)In situ macro X-ray fluoresce…Applications of laser-induced breakdown spectroscopy for cultural heritage: A comparison with X-ray Fluorescence and Particle Induced X-ray Emission techniques (2018)Applications of laser-induced…Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Recent developments in spectr…Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique (2017)Real-time elemental imaging o…Macro X-ray fluorescence (MA-XRF) scanning of illuminated manuscript fragments: potentialities and challenges (2015)Macro X-ray fluorescence (MA-…Imaging study of Raffaello's “La Muta” by a portable XRF spectrometer (2015)Imaging study of Raffaello's …Scanning XRF investigation of a Flower Still Life and its underlying composition from the collection of the Kröller–Müller Museum (2013)Scanning XRF investigation of…A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)A mobile instrument for in si…X-ray and neutron imaging for cultural heritage: the INFN-CHNet experience (2024)X-ray and neutron imaging for…When a painting is a history on the rock. A methodological approach to rock art studies through the case of El Alto-Ancasti\'s Mountain (2023)When a painting is a history …The Role of PIXE and XRF in Heritage Science: The INFN-CHNet LABEC Experience (2022)The Role of PIXE and XRF in H…The AIRES-CH Project: Artificial Intelligence for Digital REStoration of Cultural Heritages Using Nuclear Imaging and Multidimensional Adversarial Neural Networks (2022)The AIRES-CH Project: Artific…The Importance of Being Versatile: INFN-CHNet MA-XRF Scanner on Furniture at the CCR “La Venaria Reale” (2021)The Importance of Being Versa…MA-XRF for the Characterisation of the Painting Materials and Technique of the Entombment of Christ by Rogier van der Weyden (2021)MA-XRF for the Characterisati…Detectors and Cultural Heritage: The INFN-CHNet Experience (2021)Detectors and Cultural Herita…“Ecce Homo” by Antonello da Messina, from non-invasive investigations to data fusion and dissemination (2021)“Ecce Homo” by Antonello da M…The importance of being little: MA‐XRF on manuscripts on a Venetian island (2020)The importance of being littl…Non-invasive mapping methods for pigments analysis of Roman mural paintings (2020)Non-invasive mapping methods …Characterisation of ancient Roman wall‐painting fragments using non‐destructive IBA and MA‐XRF techniques (2020)Characterisation of ancient R…The Choir Books of San Giorgio Maggiore in Venice: Results of in Depth Non-Invasive Analyses (2019)The Choir Books of San Giorgi…Infrared Spectroscopy in Conservation Science (2000)Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings (2011)Chemical imaging of stained-glass windows by means of macro X-ray fluorescence (MA-XRF) scanning (2015)Trace elements in natural azurite pigments found in illuminated manuscript leaves investigated by synchrotron x-ray fluorescence and diffraction mapping (2017)XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist’s technique (2018)ArtTAX – a new mobile spectrometer for energy-dispersive micro X-ray fluorescence spectrometry on art and archaeological objects (2001)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)CRONO: a fast and reconfigurable macro X‐ray fluorescence scanner for in‐situ investigations of polychrome surfaces (2017)Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments (2017)Burnt bones and teeth: an experimental study of color, morphology, crystal structure and shrinkage (1984)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)X-Ray Fluorescence Spectrometry (XRF) in Geoarchaeology (2010)Analysis of artist’s palette on a 16th century wood panel painting by portable and laboratory Raman instruments (2016)X-Ray Computed Tomography In Situ: An Opportunity for Museums and Restoration Laboratories (2019)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Macro X-ray fluorescence scanning (MA-XRF) as tool in the authentication of paintings (2017)Macroscale multimodal imaging reveals ancient painting production technology and the vogue in Greco-Roman Egypt (2017)Pigments—Iron-based red, yellow, and brown ochres (2022)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Joint data treatment for Vis–NIR reflectance imaging spectroscopy and XRF imaging acquired in the Theban Necropolis in Egypt by data fusion and t-SNE (2018)X‐ray Diffraction Mapping for Cultural Heritage Science: a Review of Experimental Configurations and Applications (2019)Pigment Compendium: A Dictionary of Historical Pigments (2007)Analysis of a 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(2025)ATR-FT-IR spectral collection of conservation materials in the extended region of 4000-80 cm–1 (2016)A Novel Non-Destructive Technique for Cultural Heritage: Depth Profiling and Elemental Analysis Underneath the Surface with Negative Muons (2022)Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus (2015)
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References

  • 2013A mobile instrument for in situ scanning macro-XRF investigation of historical paintings264 cited
  • 2017Recent developments in spectroscopic imaging techniques for historical paintings - A review177 cited
  • 2017Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique134 cited
  • 2018Applications of laser-induced breakdown spectroscopy for cultural heritage: A comparison with X-ray Fluorescence and Particle Induced X-ray Emission techniques79 cited
  • 2015Macro X-ray fluorescence (MA-XRF) scanning of illuminated manuscript fragments: potentialities and challenges76 cited
  • 2015Imaging study of Raffaello's “La Muta” by a portable XRF spectrometer61 cited
  • 2013Scanning XRF investigation of a Flower Still Life and its underlying composition from the collection of the Kröller–Müller Museum57 cited
  • 2018In situ macro X-ray fluorescence (MA-XRF) scanning as a non-invasive tool to probe for subsurface modifications in paintings by P.P. Rubens46 cited

Cited by

  • 2021Detectors and Cultural Heritage: The INFN-CHNet Experience40 cited
  • 2020Non-invasive mapping methods for pigments analysis of Roman mural paintings38 cited
  • 2020Characterisation of ancient Roman wall‐painting fragments using non‐destructive IBA and MA‐XRF techniques36 cited
  • 2021MA-XRF for the Characterisation of the Painting Materials and Technique of the Entombment of Christ by Rogier van der Weyden36 cited

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2020
The importance of being little: MA‐XRF on manuscripts on a Venetian island
30 cited
  • 2019The Choir Books of San Giorgio Maggiore in Venice: Results of in Depth Non-Invasive Analyses24 cited
  • 2021“Ecce Homo” by Antonello da Messina, from non-invasive investigations to data fusion and dissemination23 cited
  • 2021The Importance of Being Versatile: INFN-CHNet MA-XRF Scanner on Furniture at the CCR “La Venaria Reale”17 cited
  • 2022The Role of PIXE and XRF in Heritage Science: The INFN-CHNet LABEC Experience17 cited
  • 2022The AIRES-CH Project: Artificial Intelligence for Digital REStoration of Cultural Heritages Using Nuclear Imaging and Multidimensional Adversarial Neural Networks12 cited
  • 2024X-ray and neutron imaging for cultural heritage: the INFN-CHNet experience11 cited
  • 2023When a painting is a history on the rock. A methodological approach to rock art studies through the case of El Alto-Ancasti\'s Mountain0 cited