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History and Construction of the Harpsichord
15 references·0 citing·24 second hop
History and Construction of the Harpsichord (2019)History and Construction of the Harpsicho…Interpreting Historical Keyboard Music: Sources, Contexts and Performance (2013)Interpreting Historical Keybo…A Spanish harpsichord from Domenico Scarlatti's environs (2011)A Spanish harpsichord from Do…Towards an optimal instrument: Domenico Scarlatti and the new wave of Iberian harpsichord making (2007)Towards an optimal instrument…The history and significance of the Lodewijk Theewes claviorgan (2004)The history and significance …Further on the Lodewijk Theewes Harpsichord (2002)Further on the Lodewijk Theew…A History of Performing Pitch: The Story of 'A' (2002)A History of Performing Pitch…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Boxwood Tongues and Original Leather Plectra in Eighteenth-Century English Harpsichords (2001)Boxwood Tongues and Original …Keyboard Instruments in Eighteenth-Century Vienna (1998)Keyboard Instruments in Eight…Makers of the harpsichord and clavichord, 1440-1840 (1996)Makers of the harpsichord and…Ruckers: A Harpsichord and Virginal Building Tradition (1990)Ruckers: A Harpsichord and Vi…Keyboard instruments : studies in keyboard organology, 1500-1800 (1971)Keyboard instruments : studie…Three Centuries of Harpsichord Making (1966)Three Centuries of Harpsichor…The Harpsichord and Clavichord; An Introductory Study (1959)The Harpsichord and Clavichor…Domenico Scarlatti (1953)Domenico ScarlattiThe Harpsichord and Clavichord (1959)The history and topographical survey of the county of Kent (1972)A Biographical Dictionary of English Court Musicians, 1485-1714, Volumes I and II (1998)Domenico Scarlatti and the Florentine Piano (1995)The Impact of the Development of the Fortepiano on the Repertoire Composed for It From 1760–1860 (2012)ROME (2014)Rules versus play in early modern art markets (2000)Uncovering hidden jewels: an investigation of the pictorial layers of an 18th-century Taskin harpsichord (2020)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)Beethoven 1806 (2019)Organistas e organeiros: influências mútuas entre Frei José Marques e Silva (1782-1837) e António Xavier Machado e Cerveira (1756-1828) (2020)A cross-cultural study of a circumplex model of affect. (1989)Information as thing (1991)The biology and evolution of music: A comparative perspective (2006)J. C. Bach and the Early Piano in London (1991)Metals of music (1992)The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style (2003)M usic , E motion , A nalysis (2010)Bach Is the Father of Harmony: Revealed by a 1/f Fluctuation Analysis across Musical Genres (2015)The Cambridge History of Sixteenth-Century Music (2019)The Cambridge Haydn Encyclopedia (2019)‘High’ clefs in composition and performance (2006)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)
this work references cited by second hop

References

  • 2001The New Grove dictionary of music and musicians2,602 cited
  • 2002A History of Performing Pitch: The Story of 'A'98 cited
  • 1966Three Centuries of Harpsichord Making45 cited
  • 1953Domenico Scarlatti42 cited
  • 2013Interpreting Historical Keyboard Music: Sources, Contexts and Performance36 cited
  • 1998Keyboard Instruments in Eighteenth-Century Vienna33 cited
  • 1996Makers of the harpsichord and clavichord, 1440-184024 cited
  • 1990Ruckers: A Harpsichord and Virginal Building Tradition11 cited
  • 2007Towards an optimal instrument: Domenico Scarlatti and the new wave of Iberian harpsichord making5 cited
  • 2004The history and significance of the Lodewijk Theewes claviorgan4 cited
  • 1971Keyboard instruments : studies in keyboard organology, 1500-18004 cited
  • 2011A Spanish harpsichord from Domenico Scarlatti's environs3 cited
  • 1959The Harpsichord and Clavichord; An Introductory Study3 cited
  • 2001Boxwood Tongues and Original Leather Plectra in Eighteenth-Century English Harpsichords2 cited
  • 2002Further on the Lodewijk Theewes Harpsichord2 cited

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