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In Europe, the policies that regulate and support the production of films have a very long history. This chapter examines the public policies operating in Europe in light of a competitive comparison with the US (horizontal axis) and explains how these policies (supra-national, national and subnational) integrate and/or contradict each other (vertical axis). The provision of free services and economic resources for film production by the regions is somewhere within a legal vacuum, but at the same time appears entirely in keeping with the principle of subsidiarity as set out by the Italian Constitution. Local governments actually finance film production for economic rather than cultural purposes: to boost spending in the territory, increase tax revenues, create new jobs, develop the local audiovisual industry and perhaps trigger the phenomenon of film tourism. This contradiction is made particularly important by the current economic context.
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