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Cited by

• 2009Movement Training for the Modern Actor47 cited
• 2012Musical Styles and Song Conventions43 cited
• 2021Tragic Form in Kamila Shamsie’s Home Fire29 cited
• 2009Producing and consuming arts: A marketing perspective20 cited
• 2012Audiences and Critics19 cited
• 2006Living a Body Myth, Performing a Body Reality: Reclaiming the Corporeality and Sexuality of the Indian Female Dancer19 cited
• 2018Implicit Fandom in the Fields of Theatre, Art, and Literature15 cited
• 2015Understanding Producers’ Intentions and Viewers’ Learning Outcomes in a Science Museum Theater Play on Evolution13 cited
• 2021Performing Early Christian Literature12 cited
• 2001“Thoughts that Flash like Lightning”: Thomas Holcroft, Radical Theater, and the Production of Meaning in 1790s London10 cited
• 2012Evolution of Dance in the Golden Age of the American “Book Musical”6 cited
• 2016Teatro y comunicación. Un enfoque teórico = Theatre and communication. A theoretical approach6 cited
• 2012Class and Culture5 cited
• 2012Performance, Authenticity, and the Reflexive Idealism of the American Musical5 cited
• 2016