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The Poetic Pre-History of Sentence Form
16 references·0 citing·24 second hop
The Poetic Pre-History of Sentence Form (2018)The Poetic Pre-History of Sentence FormDamnable Practises: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads (2016)Damnable Practises: Witches, …Expanding the Sentence: Intersections of Theory, History, and Aesthetics (2015)Expanding the Sentence: Inter…The Structure, Function, and Genesis of the Prechorus (2011)The Structure, Function, and …Shakespeare's songbook (2004)Shakespeare's songbookBeyond the Beethoven Model: Sentence Types and Limits (2004)Beyond the Beethoven Model: S…Poetic Rhythm: An Introduction (1998)Poetic Rhythm: An IntroductionClassical Form (1998)Classical FormClassical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical form : a theory of …Phrase Rhythm in Tonal Music (1991)Phrase Rhythm in Tonal MusicThe Music of the English Parish Church (1980)The Music of the English Pari…English Theatre Music in the Eighteenth Century (1975)English Theatre Music in the …Fundamentals of Musical Composition (1968)Fundamentals of Musical Compo…The British Broadside Ballad and Its Music (1967)The British Broadside Ballad …The British Broadside Ballad and Its Music (1966)The British Broadside Ballad …The path to the new music (1963)The path to the new musicThe Founding of English Metre (1963)The Founding of English MetreFree Verse: An Essay on Prosody (1985)Phonology and Morphology (2000)SYNTAX (2000)Religion and literature (2005)The Cambridge History of Eighteenth-Century Music (2009)The lure of aria, procession and spectacle: opera in eighteenth-century London (2009)The Cambridge Introduction to Creative Writing (2001)“Imperfectly Civilized”: Ballads, Nations, and Histories of Form (2015)Tellings and Texts (2015)Cadential processes: The evaded cadence and the “one more time” technique (1992)The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition (1997)The Classical Cadence: Conceptions and Misconceptions (2004)Health and medicine (1990)The Cambridge Social History of Britain, 1750–1950 (1990)The Cambridge History of the Book in Britain (2002)Winter fruit: English drama, 1642-1660 (1996)Musical Creativity in Restoration England (2013)Schoenberg's Musical Imagination (2007)Music as Discourse (2008)‘Words for music, perhaps’ (2013)Sung Silence: Complicity, Dramaturgy, and Song in Heywood’s Rape of Lucrece (2016)Hidden Music in Early Elizabethan Tragedy (2021)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Towards a generative syntax of tonal harmony (2011)
this work references cited by second hop

References

  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven699 cited
  • 1998Classical Form533 cited
  • 1991Phrase Rhythm in Tonal Music482 cited
  • 1968Fundamentals of Musical Composition459 cited
  • 1980The Music of the English Parish Church335 cited
  • 1998Poetic Rhythm: An Introduction279 cited
  • 1966The British Broadside Ballad and Its Music125 cited
  • 1975English Theatre Music in the Eighteenth Century107 cited
  • 1963The Founding of English Metre71 cited
  • 2004Shakespeare's songbook70 cited
  • 2016Damnable Practises: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads68 cited
  • 2004Beyond the Beethoven Model: Sentence Types and Limits60 cited
  • 2011The Structure, Function, and Genesis of the Prechorus46 cited
  • 1963The path to the new music44 cited
  • 1967The British Broadside Ballad and Its Music44 cited
  • 2015Expanding the Sentence: Intersections of Theory, History, and Aesthetics32 cited

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