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Una panoramica delle strategie di conservazione di opere d’arte digitale
15 references·0 citing·27 second hop
Una panoramica delle strategie di conservazione di opere d’arte digitale (2018)Una panoramica delle strategie di conserv…Lev Manovich, Le logiciel au pouvoir, Software takes command, New York, Bloomsbury Academic, 2013 (2018)Lev Manovich, Le logiciel au …Preservation Metadata for Complex Digital Objects. A Report of the ALCTS PARS Preservation Metadata Interest Group Meeting. American Library Association Annual Conference, San Francisco, June 2015 (2016)Preservation Metadata for Com…Preservation Challenges in the Digital Age (2016)Preservation Challenges in th…Beyond traditional art: Strategies for the preservation of digital art (2016)Beyond traditional art: Strat…A collaborative model for web archiving ephemeral art resources at the New York Art Resources Consortium (NYARC) (2016)A collaborative model for web…Re-collection: art, new media, and social memory (2015)Re-collection: art, new media…In the Service of Art: Metadata for Preservation of Interactive Digital Artworks (2015)In the Service of Art: Metada…Virtualisation As A Tool For The Conservation Of Software-Based Artworks (2014)Virtualisation As A Tool For …Digital Arts: An Introduction to New Media (2014)Digital Arts: An Introduction…Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium (2014)Augmented Reality Art: From a…Aesthetics of interaction in digital art (2014)Aesthetics of interaction in …Preserving and Exhibiting Media Art: Challenges and Perspectives (2013)Preserving and Exhibiting Med…Preservation of digital art : theory and practice : the project digital art conservation (2013)Preservation of digital art :…Large-Scale Curation and Presentation of CD-ROM Art. (2013)Large-Scale Curation and Pres…Conserving software-based artwork through software engineering (2013)Conserving software-based art…Online Art Ephemera (2013)Web Archiving in the United States: A 2013 Survey (2014)Panel Problems: Issues and Opportunities for Webcomics Archives (2018)Accessing Web Archives: Integrating an Archive-It Collection into EBSCO Discovery Service (2019)Assisted Emulation for Legacy Executables (2010)A Measurement Framework for Evaluating Emulators for Digital Preservation (2012)Developing Virtual CD-ROM Collections: The Voyager Company Publications (2012)An Architecture for Community-Based Curation and Presentation of Complex Digital Objects (2013)Characterization of CD-ROMs for Emulation-Based Access. (2015)Oldweb.today: Browsing the Past Web with Browsers from the Past (2021)Art, Technology, Education: Synergy of Modes, Means, Tools of Communication (2019)High-Tech Trash: Glitch, Noise, and Aesthetic Failure (2019)What Does Augmented Reality Mean as a Medium of Expression for Computational Artists? (2019)What is the Object? Identifying and describing time-based artworks (2018)2. Doing Experimental Media Archaeology. Epistemological and Methodological Reflections on Experiments with Historical Objects of Media Technologies (2019)FiRe 2 : An Online Database for Photographic and Cinematographic Film Technical Data (2022)Factors influencing the implementation of electronic records and information management (2019)Scalable Born Digital Ingest Workflows for Limited Resources: A Case Study for First Steps in Digital Preservation (2020)A Descriptive Study of Infrastructure Capabilities for Digital Records Preservation among Selected Public Institutions in Tanzania (2022)(Re)conceptualizing digital literacies before and after the election of Trump (2018)Phenomenology, Pokémon Go, and Other Augmented Reality Games (2017)The Gamification of Augmented Reality Art (2019)The Gift that Keeps on Giving: Preserving New Media Art for Posterity (2015)Social Media as Theatre Stage: Aesthetics, Affordances and Interactivities (2017)Digital Light (2015)What Next for Digital Himalaya? Reflections on Community, Continuity, and Collaboration (2018)The Digital Reality: Artistic Choice (2020)
this work references cited by second hop

References

  • 2014Aesthetics of interaction in digital art63 cited
  • 2013Preserving and Exhibiting Media Art: Challenges and Perspectives42 cited
  • 2015Re-collection: art, new media, and social memory42 cited
  • 2014Digital Arts: An Introduction to New Media24 cited
  • 2014Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium23 cited
  • 2018Lev Manovich, Le logiciel au pouvoir, Software takes command, New York, Bloomsbury Academic, 201316 cited
  • 2016Preservation Challenges in the Digital Age11 cited
  • 2013Large-Scale Curation and Presentation of CD-ROM Art.11 cited
  • 2016A collaborative model for web archiving ephemeral art resources at the New York Art Resources Consortium (NYARC)6 cited
  • 2016Beyond traditional art: Strategies for the preservation of digital art5 cited
  • 2014Virtualisation As A Tool For The Conservation Of Software-Based Artworks5 cited
  • 2013Preservation of digital art : theory and practice : the project digital art conservation5 cited
  • 2013Conserving software-based artwork through software engineering4 cited
  • 2015In the Service of Art: Metadata for Preservation of Interactive Digital Artworks2 cited
  • 2016Preservation Metadata for Complex Digital Objects. A Report of the ALCTS PARS Preservation Metadata Interest Group Meeting. American Library Association Annual Conference, San Francisco, June 2015

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