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There is a problem here, upon which the concepts of semiotics may enable us to shed some light. We shall hope to show how the jacket works as a message-bearing entity, acting in relationship to Waterloo both as an intrinsic sign and as a metaphorical symbol,which is capable of a very large range of interpretations; and to explore how this relates to the way in which the present is created from the past. The nature of interpretation is then examined in terms of viewer-response, and this leads to a discussion of the relationship between individual responses and the social consensus of meaning, and so of the role of the curator. Finally, objects are seen as one of several ways of narrating the past.
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