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Composing Capital: Classical Music in the Neoliberal Era
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Cited by

  • 2019Boundaries of the New: American Classical Music at the Turn of the Millennium22 cited
  • 2020Contemporary Music and Its Futures5 cited
  • 2020Negotiating Convention: Pop-Ups and Populism at the San Francisco Opera5 cited
  • 2021Resisting Usefulness4 cited
  • 2022Music as Labour4 cited
  • 2022Transactional Culture of the Portfolio Career Chamber Musician: A Case Study3 cited
  • 2022Empowering the Portfolio Musician: Innovative Chamber Music Pedagogy for the 21st-Century Artist3 cited
  • 2021Toward New Aesthetic Horizons: The Case for a Pragmatist-Hermeneutic Approach to Art Music3 cited
  • 2024From Portfolio to Platform Career3 cited
  • 2021Coolness, Critique, and the Neoliberal Classical2 cited
  • 2022Hope, Labour and Privilege in American New Music2 cited
  • 2022“Let’s Play!”: Professional Performers’ Perspectives on Play in Chamber Ensemble Rehearsal2 cited
  • 2022Encounters with Participatory Music2 cited

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