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Digital survivance and Trickster humor: exploring visual and digital Indigenous epistemologies in the #NoDAPL movement
16 references·4 citing·41 second hop
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References

  • 2008Coloniality of Power, Eurocentrism, and Latin America2,185 cited
  • 2012Local Histories/Global Designs2,100 cited
  • 2010The White Possessive1,861 cited
  • 1970Custer Died for Your Sins: An Indian Manifesto1,369 cited
  • 2003Ways of knowing, being and doing: A theoretical framework and methods for indigenous and indigenist re‐search1,237 cited
  • 2015Instafame: Luxury Selfies in the Attention Economy1,051 cited
  • 2013Memes in a Digital World: Reconciling with a Conceptual Troublemaker902 cited
  • 2018#CommunicationSoWhite649 cited
  • 2015What Does the Selfie Say? Investigating a Global Phenomenon428 cited
  • 2016The World Made Meme372 cited
  • 1957The Trickster: A Study in American Indian Mythology297 cited
  • 2015Selfies, Image and the Re-making of the Body242 cited
  • 2014“There’s no place for lulz on LOLCats”: The role of genre, gender, and group identity in the interpretation and enjoyment of an Internet meme232 cited
  • 1994Manifest Manners: Postindian Warriors of Survivance.194 cited
  • 2013Learning to make racism funny in the ‘color-blind’ era: Stand-up comedy students, performance strategies, and the (re)production of racist jokes in public

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163 cited
  • 2018Twitter and Tear Gas: The Power and the Fragility of Networked Protest140 cited
  • Cited by

    • 2020Indigenous Movements, Collective Action, and Social Media: New Opportunities or New Threats?41 cited
    • 2020Pushing boundaries and blurring categories in digital media and religion research24 cited
    • 2021Indigenous movements, ICTs and the state in Latin America20 cited
    • 2021INDIGENOUS MOVEMENTS OF ECUADOR: between collective action and connective action5 cited