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The theory of harmonic vectors (THV) rests on the hypothesis that tonal functions result from root progressions, not the reverse: it is a transformational theory of the tonal harmonic process. The article discusses three interconnected constraints: the asymmetry of progressions, their limitation to the diatonic span, and the affirmation of the tonic.
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Stored only when both papers are in the corpus — 24 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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