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Prehistoric Bird Watching in Southern Iberia? The Rock Art of Tajo de las Figuras Reconsidered
4 references·2 citing·22 second hop
Prehistoric Bird Watching in Southern Iberia? The Rock Art of Tajo de las Figuras Reconsidered (2019)Prehistoric Bird Watching in Southern Ibe…The Sound of Rock Art. The Acoustics of the Rock Art of Southern A ndalusia ( S pain) (2014)The Sound of Rock Art. The Ac…Rock Art as Social Representation (2010)Rock Art as Social Representa…Rock Paintings of Southern Andalusia: a Description of a Neolithic and Copper Age Art Group (1930)Rock Paintings of Southern An…E. Hernandez Pacheco, Juan Cabre, Comte de la Vega del Sella, Las pinturas prehistoricas de Peña Tu. E. Hernandez Pacheco, Juan Cabre, Avance al estudio de las pinturas prehistoricas del extremo sur de Espana (Laguna de la Janda). (Museo de Ciencias naturales. Comision de Investigaciones paleontologicas y prehistoricas. Memorias nos 2 y 4.) (1916)E. Hernandez Pacheco, Juan Ca…Recovering the intangible acoustic heritage of rock art sites: El Tajo de las Figuras as a case study (2023)Recovering the intangible aco…Archaeo-Ornithology: Towards an Archaeology of Human-Bird Interfaces (2019)Archaeo-Ornithology: Towards …Handbook of rock art research (2001)Inscribed landscapes: marking and making place (2003)New flutes document the earliest musical tradition in southwestern Germany (2009)Hear Here: Prehistoric Artists Preferentially Selected Reverberant Spaces and Choice of Subject Matter Underscores Ritualistic Use of Sound (2018)Sound Archaeology: A Study of the Acoustics of Three World Heritage Sites, Spanish Prehistoric Painted Caves, Stonehenge, and Paphos Theatre (2019)The Bacinete Main Shelter: A Prehistoric Theatre? (2023)Social Theory and Social Structure (1958)We have never been modern (1994)Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (2007)Feathers and food: Human-bird interactions at Middle Pleistocene Qesem Cave, Israel (2019)Paleoenvironmental humanities: Challenges and prospects of writing deep environmental histories (2020)Being-with other predators: Cultural negotiations of Neanderthal-carnivore relationships in Late Pleistocene Europe (2022)Acoustics and Levantine rock art: auditory perceptions in La Valltorta Gorge (Spain) (2012)Cave acoustics in prehistory: Exploring the association of Palaeolithic visual motifs and acoustic response (2017)The function of graphic signs in prehistoric societies: The case of Cantabrian quadrilateral signs (2017)On the relationship between sound, acoustics, and San rock art: An archaeoacoustic study at twenty-seven sites in the Maloti-Drakensberg mountains (South Africa) (2024)Auditory Affordances of Game Pass Shelter (South Africa): Implications for Performative Practices and Multisensory Engagement with San Rock Art (2026)‘On the Back of a Blue Elk’: Recent Ethnohistorical Sources and ‘Ambiguous’ Stone Age Rock Art at Pyhänpää, Central Finland (2007)Bredarör on Kivik: a monumental cairn and the history of its interpretation (2009)Cultivation of Perception and the Emergence of the Neolithic World (2014)Grabados paleolíticos en la Cueva del Tajo de las Figuras (Benalup, Cádiz) (1991)A contribution to the debate about prehistoric rock art in southern Europe: New Palaeolithic motifs in Cueva de las Palomas IV, Facinas (Tarifa, Cádiz, Spain) (2021)
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References

  • 2010Rock Art as Social Representation39 cited
  • 1930Rock Paintings of Southern Andalusia: a Description of a Neolithic and Copper Age Art Group22 cited
  • 2014The Sound of Rock Art. The Acoustics of the Rock Art of Southern A ndalusia ( S pain)15 cited
  • 1916E. Hernandez Pacheco, Juan Cabre, Comte de la Vega del Sella, Las pinturas prehistoricas de Peña Tu. E. Hernandez Pacheco, Juan Cabre, Avance al estudio de las pinturas prehistoricas del extremo sur de Espana (Laguna de la Janda). (Museo de Ciencias naturales. Comision de Investigaciones paleontologicas y prehistoricas. Memorias nos 2 y 4.)7 cited

Cited by

  • 2019Archaeo-Ornithology: Towards an Archaeology of Human-Bird Interfaces31 cited
  • 2023Recovering the intangible acoustic heritage of rock art sites: El Tajo de las Figuras as a case study5 cited

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