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Singing the Alien: Velvet Goldmine and David Bowie’s Glam Semiotics
16 references·0 citing·33 second hop
Singing the Alien: Velvet Goldmine and David Bowie’s Glam Semiotics (2017)Singing the Alien: Velvet Goldmine and Da…Valency–Actuality–Meaning: A Peircean Semiotic Approach to Music (2017)Valency–Actuality–Meaning: A …Future Nostalgia: Performing David Bowie (2015)Future Nostalgia: Performing …Todd Haynes (2013)Todd HaynesQueer Tracks: Subversive Strategies in Rock and Pop Music (2013)Queer Tracks: Subversive Stra…Salome's Modernity (2011)Salome's ModernitySubculture (2010)SubcultureBritish Rock Modernism, 1967-1977: The Story of Music Hall in Rock (2010)British Rock Modernism, 1967-…Living in a Den of Thieves: Fan Video and Digital Challenges to Ownership (2009)Living in a Den of Thieves: F…Performing Glam Rock (2006)Performing Glam RockFans: The Mirror of Consumption (2005)Fans: The Mirror of Consumpti…The Routledge companion to semiotics and linguistics (2002)The Routledge companion to se…The Emergence of Cinematic Time: Modernity, Contingency, the Archive (2002)The Emergence of Cinematic Ti…Subculture: The Meaning of Style (1995)Subculture: The Meaning of St…Fernando the flute : analysis of musical meaning in an Abba mega-hit (1991)Fernando the flute : analysis…Psychotic Reactions and Carburetor Dung (1987)Psychotic Reactions and Carbu…Analysing popular music: theory, method and practice (1982)Analysing popular music: theo…Emotion and Meaning in Music (1957)Emotion and Meaning in Music (1961)The Tuning of the World (1983)Music and Language (1994)Triadic Modal and Pentatonic Patterns in Rock Music (2010)A corpus analysis of rock harmony (2011)"A Young Girls Dream": Examining the Barriers Facing Female Electric Guitarists (2011)Claiming Space: Discourses on Gender, Popular Music, and Social Change (2011)Memory, Monsters, and Lady Gaga (2011)Taking it in the ear: On musico-sexual synergies and the (queer) possibility that music is sex (2012)The Routledge Companion to British Media History (2014)Kathy Acker (2020)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)Intensities of feeling: towards a spatial politics of affect (2004)The Cinema of Attractions Reloaded (2006)Classification in Art (1987)Understanding Popular Culture (2006)Methodology of the Oppressed (2010)Digital Voices, Other Rooms: Pussy Riot’s Recalcitrant (In)Corporeality (2015)Flexible Femininities? Queering Kawaii in Japanese Girls’ Culture (2015)The Cambridge Companion to the Singer-Songwriter (2016)The Cambridge Companion to Irish Modernism (2014)The Irish Revival and Modernism (2014)The Rhetoric of Seduction; or Materiality under Erasure (2020)Youth and Cultural Practice (2002)The Production of Culture Perspective (2004)‘Insider Research’ in the Study of Youth Cultures (2005)Qualitative research: Part three – Methods (2009)Towards a linguistics of news production (2010)Cross-Cultural Pragmatics (2021)Celebrity fan involvement and destination perceptions (2008)Show sold separately: promos, spoilers, and other media paratexts (2010)Social media and sports: driving fan engagement with football clubs on Facebook (2017)
this work references cited by second hop

References

  • 1995Subculture: The Meaning of Style3,813 cited
  • 2010Subculture1,268 cited
  • 2002The Emergence of Cinematic Time: Modernity, Contingency, the Archive1,051 cited
  • 2005Fans: The Mirror of Consumption592 cited
  • 1982Analysing popular music: theory, method and practice376 cited
  • 2006Performing Glam Rock168 cited
  • 1987Psychotic Reactions and Carburetor Dung153 cited
  • 2002The Routledge companion to semiotics and linguistics149 cited
  • 2013Queer Tracks: Subversive Strategies in Rock and Pop Music61 cited
  • 2011Salome's Modernity49 cited
  • 1991Fernando the flute : analysis of musical meaning in an Abba mega-hit38 cited
  • 2009Living in a Den of Thieves: Fan Video and Digital Challenges to Ownership34 cited
  • 2013Todd Haynes28 cited
  • 2015Future Nostalgia: Performing David Bowie20 cited
  • 2010British Rock Modernism, 1967-1977: The Story of Music Hall in Rock12 cited
  • 2017Valency–Actuality–Meaning: A Peircean Semiotic Approach to Music5 cited

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