Flattering the Figure, Fitting in: The Design Discourses of Stoutwear, 1915-1930

Abstract

Although a mainstay of popular fashion discourse, the notion of “figure flattery” is an enduringly neglected concept in the fashion literature. In seeking to partially fill this gap, this article engages in a close examination of the slenderizing design discourses of the “stoutwear” industry—the historical precursor to today’s “plus-size” fashions—in order to flesh out a working theory of figure flattery. Drawing upon a close reading of extant advertisements and design commentary published in the popular fashion press and industry trade journals dating to between the years 1915 and 1930, or the peak of stoutwear production, this article aims to show how stoutwear was not merely made to fit the stout body, but to also help the wearer to fit in, socially and aesthetically. Through this analysis, this article situates fashion as a productive site in which fashions for the stout woman were not only created, but in which the stout body was itself constructed.

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