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The Individual Tone and Musical Context in Albert Simon’sTonfeldtheorie
3 references·4 citing·21 second hop
The Individual Tone and Musical Context in Albert Simon’sTonfeldtheorie (2018)The Individual Tone and Musical Context i…Audacious EuphonyChromatic Harmony and the Triad's Second Nature (2012)Audacious EuphonyChromatic Ha…Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)Uncanny Resemblances: Tonal S…Stravinsky and the Russian Traditions (1996)Stravinsky and the Russian Tr…Computational modeling of interval distributions in tonal space reveals paradigmatic stylistic changes in Western music history (2024)Computational modeling of int…An Annotated Corpus of Tonal Piano Music from the Long 19th Century (2024)An Annotated Corpus of Tonal …The diachronic development of Debussy’s musical style: a corpus study with Discrete Fourier Transform (2023)The diachronic development of…Distant Neighbors and Interscalar Contiguities (2019)Distant Neighbors and Intersc…Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)The Cambridge History of Western Music Theory (2002)Schoenberg's Musical Imagination (2007)Form, Program, and Metaphor in the Music of Berlioz (2009)The End(s) of Genre (2013)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)The Geometry of Musical Chords (2006)Maximally Even Sets (1991)Towards a generative syntax of tonal harmony (2011)Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Virtuosity and the Musical Work (2003)Keys to Play: Music as a Ludic Medium from Apollo to Nintendo (2016)Music in the Galant Style (2007)Tonality and transformation (2012)A Platonic Model of Funky Rhythms (2016)The Syntax of Jazz Harmony: Diatonic Tonality, Phrase Structure, and Form (2020)Scale Networks and Debussy (2004)Extraordinary Measures (2011)Gestural Imaginaries (2019)
this work references cited by second hop

References

  • 1996Stravinsky and the Russian Traditions306 cited
  • 2012Audacious EuphonyChromatic Harmony and the Triad's Second Nature237 cited
  • 2004Uncanny Resemblances: Tonal Signification in the Freudian Age155 cited

Cited by

  • 2024Computational modeling of interval distributions in tonal space reveals paradigmatic stylistic changes in Western music history6 cited
  • 2023The diachronic development of Debussy’s musical style: a corpus study with Discrete Fourier Transform6 cited
  • 2024An Annotated Corpus of Tonal Piano Music from the Long 19th Century5 cited
  • 2019Distant Neighbors and Interscalar Contiguities4 cited

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