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Of Gypsy Barons and the Power of Love: Operetta Programming and Popularity in the Postwar Soviet Union
10 references·0 citing·35 second hop
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this work references cited by second hop

References

  • 2003National Bolshevism: Stalinist mass culture and the formation of modern Russian national identity, 1931-1956313 cited
  • 2012Making Sense of War243 cited
  • 1998Defining Russia Musically: Historical and Hermeneutical Essays112 cited
  • 2004Stalin's Empire of Memory96 cited
  • 1998"National in Form, Socialist in Content": Musical Nation-Building in the Soviet Republics80 cited
  • 2005Oh joy! oh rapture!: the enduring phenomenon of Gilbert and Sullivan35 cited
  • 2013Turks, Hungarians, and Gypsies on Stage: Exoticism and Auto-Exoticism In Opera and Operetta28 cited
  • 2017Globalizing Operetta before the First World War28 cited
  • 2014Die lustige Witweand the Creation of the Silver Age of Viennese Operetta20 cited
  • 2001The semiotics of symmetry, or Rimsky-Korsakov's operatic history lesson17 cited

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