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Viewpoints AI
5 references·1 citing·25 second hop
Viewpoints AI (2013)Viewpoints AITemporal integration of interactive technology in dance (2011)Temporal integration of inter…Expressive processing: digital fictions, computer games, and software studies (2010)Expressive processing: digita…An empirical study of cognition and theatrical improvisation (2009)An empirical study of cogniti…The viewpoints book : a practical guide to viewpoints and composition (2005)The viewpoints book : a pract…Creative Mind: Myths and Mechanisms (2003)Creative Mind: Myths and Mech…Modalities, Styles and Strategies: An Interaction Framework for Human-Computer Co-Creativity. (2020)Modalities, Styles and Strate…The reflective practitioner: How professionals think in action (1984)The Reflective Practitioner: How Professionals Think in Action (1985)Cognitive Psychology and Its Implications (1987)Shared mental models in improvisational performance (2010)Improvised Comedy as a Turing Test (2017)Toward Live Streamed Improvisational Game Experiences (2020)To Dance is Human: A Theory of Nonverbal Communication (1979)Explorations in Art and Technology (2002)The choreographer's notebook (2011)danceroom Spectroscopy: At the Frontiers of Physics, Performance, Interactive Art and Technology (2014)Twenty Years of Creativity Research in Human-Computer Interaction (2018)"Contradiction pushes me to improvise": Performer Expressivity and Engagement in Distanced Movement Performance Paradigms (2023)Automated collage generation - With more intent (2011)A Standardised Procedure for Evaluating Creative Systems: Computational Creativity Evaluation Based on What it is to be Creative (2012)An Enactive Model of Creativity for Computational Collaboration and Co-creation (2015)Real-Time Full-body Interaction with AI Dance Models: Responsiveness to Contemporary Dance (2025)Innovation At and Across Multiple Levels of Analysis (2007)Connecting Long Distance: Semantic Distance in Analogical Reasoning Modulates Frontopolar Cortex Activity (2009)The Shifting Sands of Creative Thinking: Connections to Dual Process Theory (2014)Collage: A Paradigm for Performance Studies (2009)Viewpoints AI (2015)The Cambridge Companion to American Theatre since 1945 (2021)The Quadruple Object (2011)Neither Black Nor Box: Ways of Knowing Algorithms (2016)Deceitful Media (2021)
this work references cited by second hop

References

  • 2003Creative Mind: Myths and Mechanisms666 cited
  • 2010Expressive processing: digital fictions, computer games, and software studies296 cited
  • 2005The viewpoints book : a practical guide to viewpoints and composition274 cited
  • 2009An empirical study of cognition and theatrical improvisation83 cited
  • 2011Temporal integration of interactive technology in dance25 cited

Cited by

  • 2020Modalities, Styles and Strategies: An Interaction Framework for Human-Computer Co-Creativity.8 cited

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