Headfirst into an Abyss: The Politics and Political Reception of Hamilton

Elizabeth Titrington Craft

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Theater, Performance, and Music History Musicology and Musical Analysis Music History and Culture

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Research Article| December 01 2018 Headfirst into an Abyss: The Politics and Political Reception of Hamilton Elizabeth Titrington Craft Elizabeth Titrington Craft Elizabeth Titrington Craft is an assistant professor of music at the University of Utah, where she teaches courses on twentieth- and twenty-first-century music, music of the United States, musical theater, and opera. Her research examines musical theater from the early twentieth century to the present, focusing on racial and ethnic representation, immigrant narratives, constructions of nationhood, marketing, and reception. Her published work appears in Studies in Musical Theatre, The Critical Companion to the American Stage Musical, and Crosscurrents: American and European Music in Interaction, 1900-2000. She received her PhD in historical musicology from Harvard University. Search for other works by this author on: This Site Google American Music (2018) 36 (4): 429–447. https://doi.org/10.5406/americanmusic.36.4.0429 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Elizabeth Titrington Craft; Headfirst into an Abyss: The Politics and Political Reception of Hamilton. American Music 1 January 2018; 36 (4): 429–447. doi: https://doi.org/10.5406/americanmusic.36.4.0429 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressAmerican Music Search Advanced Search The text of this article is only available as a PDF. Copyright 2019 by the Board of Trustees of the University of Illinois2019 Article PDF first page preview Close Modal You do not currently have access to this content.

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1994Return of the Citizen: A Survey of Recent Work on Citizenship Theory 1996Cultural Citizenship as Subject-Making: Immigrants Negotiate Racial and Cultural Boundaries in the United States [and Comments and Reply]2015Post-Racial or Most-Racial?2013Celebrity capital: redefining celebrity using field theory 2015The Oxford Handbook of African American Language 2016Post-Racial or Most-Racial?: Race and Politics in the Obama Era 2014The Great White Way: race and the Broadway musical 1971The Rolling stone interviews

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2018“We Get the Job Done”: Immigrant Discourse and Mixtape Authenticity in The Hamilton Mixtape

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