SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
From Spectacle to Deterritorialisation: Deleuze, Debord and the Politics of Found Footage Cinema
16 references·0 citing·30 second hop
From Spectacle to Deterritorialisation: Deleuze, Debord and the Politics of Found Footage Cinema (2019)From Spectacle to Deterritorialisation: D…Recycled Images: the Art and Politics of Found Footage Films (2021)Recycled Images: the Art and …The Society of the Spectacle (2020)The Society of the SpectacleSigns and Machines: Capitalism and the Production of Subjectivity (2014)Signs and Machines: Capitalis…Difference and Repetition (2013)Difference and RepetitionTechnics and Time, 3: Cinematic Time and the Question of Malaise (2010)Technics and Time, 3: Cinemat…Deleuze and the Schizoanalysis of Cinema (2008)Deleuze and the Schizoanalysi…Deleuze and the Genesis of Representation (2008)Deleuze and the Genesis of Re…Guy Debord and the situationist international : texts and documents (2004)Guy Debord and the situationi…Film Theory And Criticism: Introductory Readings (1999)Film Theory And Criticism: In…Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. (1994)Downcast Eyes: The Denigratio…Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought (1994)Downcast Eyes: The Denigratio…Kino-Eye: The Writings of Dziga Vertov (1986)Kino-Eye: The Writings of Dzi…Theory of the Avant-Garde (1985)Theory of the Avant-GardeReading Eisenstein Reading "Capital" (1976)Reading Eisenstein Reading "C…Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…Matter and Memory (1896)Matter and MemoryCan Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)In the Social Factory? (2008)Urban tourism research: Recent progress and current paradoxes (2010)Speaking For, Speaking About, Speaking With, or Speaking Alongside — An Anthropological and Documentary Dilemma (1991)Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939 (2007)Contemporary Art and the Politics of Aesthetics (2009)Between Geography and Philosophy: What Does It Mean to Be in the Place-World? (2001)Human geography without scale (2005)Democracy of Objects (2011)Critical pedagogy and predatory culture (1994)T. S. Eliot and the Cultural Divide (1995)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)The happiness industry: How government and big business sold us well-being (2015)Platform Real Estate: theory and practice of new urban real estate markets (2018)Assetization (2020)The Naturalistic Enthymeme and Visual Argument: Photographic Representation in the “Skull Controversy” (2001)Coercion Versus Care: Using Irony to Make Sense of Organizational Surveillance (2006)Haptic geographies: ethnography, haptic knowledges and sensuous dispositions (2009)Introduction: Posthumanist subjectivities, or, coming after the subject … (2012)Technology and affect: Towards a theory of inorganically organised objects (2014)Conceptualising the Global in the Wake of the Postmodern (2019)The Heart Machine: "Rhythm" and Body in Weimar Film and Fritz Lang's Metropolis (2007)When Opera Meets Film (2010)Theorizing Adaptation (2020)Digital Games and Escapism (2010)Sound studies without auditory culture: a critique of the ontological turn (2015)Diffraction and response-able reading of texts: the relational ontologies of Barad and Deleuze (2019)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 2020The Society of the Spectacle1,640 cited
  • 1896Matter and Memory1,012 cited
  • 1985Theory of the Avant-Garde744 cited
  • 1999Film Theory And Criticism: Introductory Readings550 cited
  • 2013Difference and Repetition538 cited
  • 1986Kino-Eye: The Writings of Dziga Vertov503 cited
  • 2014Signs and Machines: Capitalism and the Production of Subjectivity431 cited
  • 1994Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought334 cited
  • 2010Technics and Time, 3: Cinematic Time and the Question of Malaise262 cited
  • 1994Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought.242 cited
  • 2004Guy Debord and the situationist international : texts and documents208 cited
  • 2021Recycled Images: the Art and Politics of Found Footage Films164 cited
  • 2008Deleuze and the Genesis of Representation79 cited
  • 2008Deleuze and the Schizoanalysis of Cinema52 cited
  • 1976Reading Eisenstein Reading "Capital"35 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Cited by

No citing works inside the corpus for this window.