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Approaching renaissance music using Taneyev's theories of movable counterpoint
14 references·2 citing·29 second hop
Approaching renaissance music using Taneyev's theories of movable counterpoint (2018)Approaching renaissance music using Taney…Studies in Historical Improvisation. From Cantare Super Librum to Partimenti (2017)Studies in Historical Improvi…The Composition of Late Renaissance Stretto Canons (2016)The Composition of Late Renai…The Cambridge History of Fifteenth-Century Music (2015)The Cambridge History of Fift…The motet around 1500 on the relationship of imitation and text treatment ? (2012)The motet around 1500 on the …Composing Imitative Counterpoint around a Cantus Firmus: Two Motets by Heinrich Isaac (2011)Composing Imitative Counterpo…Uno gentile et subtile ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn (2009)Uno gentile et subtile ingeni…Citation and authority in medieval and Renaissance musical culture : learning from the learned (2005)Citation and authority in med…Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood (1998)Music in Renaissance Cities a…Stacked Canon and Renaissance Compositional Procedure (1997)Stacked Canon and Renaissance…Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance (1997)Hearing the Motet: Essays on …Music Theory from Zarlino to Schenker: A Bibliography and Guide (1992)Music Theory from Zarlino to …The Milan Partbooks: Evidence of Cipriano de Rore's Compositional Process (1984)The Milan Partbooks: Evidence…A Gift of Madrigals and Motets (1972)A Gift of Madrigals and MotetsDiscant, Counterpoint, and Harmony (1962)Discant, Counterpoint, and Ha…A Multimodal Analysis of Hommage à Marina Tsvetayeva by Sofia Gubaidulina (2021)A Multimodal Analysis of Homm…Contrapunto Fugato: A First Step Toward Composing in the Mind (2020)Contrapunto Fugato: A First S…L'antica musica : ridotta alla moderna prattica (1959)Tonal Types and Modal Categories in Renaissance Polyphony (1981)Does Imitatio Exist? (1994)Counterpoint pedagogy in the Renaissance (2002)Women and Music in Sixteenth-Century Ferrara (2018)Source Readings in Music History (1950)Music in the Renaissance (1954)On Compositional Process in the Fifteenth Century (1987)The sound of beauty (2013)Guillaume Du Fay: The Life and Works (2018)Musical offerings in the Renaissance (2005)The Cambridge History of Musical Performance (2012)The Exegetical Motet (2015)Du Fay the poet? Problems in the texts of his motets (1997)"And Josquin Laughed..." Josquin and the Composer's Anecdote in the Sixteenth Century (1999)Vocal performance in the seventeenth century (2012)Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas (2008)BLAINVILLE'S NEW MODE, OR HOW THE PLAGAL CADENCE CAME TO BE ‘PLAGAL’ (2015)On African Music (2023)La théorie de la musique (2017)Music in the Early Colonial World (2019)The Cambridge History of Sixteenth-Century Music (2019)Toward an Interpretation of the Sixteenth-Century Motet (1981)Themes of Exile in Willaert's "Musica nova" (1994)Metric Manipulations in Post-Tonal Music (2020)Musical Authorship from Schütz to Bach (2019)Renaissance Polyphony (2020)Sensory Experience in Medieval Devotion: Sound and Vision, Invisibility and Silence (2013)Fauvel and Marigny: Which Came First? (2023)
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References

  • 2005Citation and authority in medieval and Renaissance musical culture : learning from the learned135 cited
  • 1962Discant, Counterpoint, and Harmony121 cited
  • 2012The motet around 1500 on the relationship of imitation and text treatment ?86 cited
  • 1998Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood84 cited
  • 2015The Cambridge History of Fifteenth-Century Music72 cited
  • 1984The Milan Partbooks: Evidence of Cipriano de Rore's Compositional Process59 cited
  • 1992Music Theory from Zarlino to Schenker: A Bibliography and Guide48 cited
  • 1997Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance46 cited
  • 2017Studies in Historical Improvisation. From Cantare Super Librum to Partimenti38 cited
  • 1972A Gift of Madrigals and Motets35 cited
  • 2011Composing Imitative Counterpoint around a Cantus Firmus: Two Motets by Heinrich Isaac34 cited
  • 1997Stacked Canon and Renaissance Compositional Procedure29 cited
  • 2009Uno gentile et subtile ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn27 cited
  • 2016The Composition of Late Renaissance Stretto Canons26 cited

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  • 2020Contrapunto Fugato: A First Step Toward Composing in the Mind

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4 cited
  • 2021A Multimodal Analysis of Hommage à Marina Tsvetayeva by Sofia Gubaidulina3 cited