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Fluid audio-spatial aesthetics and the communalization of popular music in the multi-clip movie Balaton method
16 references·0 citing·22 second hop
Fluid audio-spatial aesthetics and the communalization of popular music in the multi-clip movie Balaton method (2019)Fluid audio-spatial aesthetics and the co…The Long Take: Art Cinema and the Wondrous (2017)The Long Take: Art Cinema and…The Long Take (2017)The Long Take“But It’s Ours”: (2017)“But It’s Ours”:Media and Nostalgia (2014)Media and NostalgiaRetromania: Pop Culture's Addiction to Its Own Past (2011)Retromania: Pop Culture's Add…Music Video and the Politics of Representation (2011)Music Video and the Politics …Screening modernism: European art cinema, 1950-1980 (2008)Screening modernism: European…Retro: The Culture of Revival (2006)Retro: The Culture of RevivalScreening the Past: Memory and Nostalgia in Cinema (2004)Screening the Past: Memory an…Experiencing Music Video: Aesthetics and Cultural Context (2004)Experiencing Music Video: Aes…Experiencing music video: aesthetics and cultural context (2004)Experiencing music video: aes…Sound Tracks (2003)Sound TracksSound Tracks: Popular Music Identity and Place (2002)Sound Tracks: Popular Music I…Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Postmodernism, or, The Cultur…Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The cultur…On Popular Music (1941)On Popular MusicNostalgia-Evoked Inspiration (2015)The graphic novel an introduction (2015)Nostalgia marketing and (re-)enchantment (2019)The Modalities of Nostalgia (2006)Cultural memory studies : an international and interdisciplinary handbook (2008)The mnemonic muse: Nostalgia fosters creativity through openness to experience (2015)Beyond “Culture”: Space, Identity, and the Politics of Difference (1992)Chapter 3 : Identity as an Analytic Lens for Research in Education (2000)Stuart Hall: Critical Dialogues in Cultural Studies (2006)Race and the Yugoslav region (2018)(Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities (2019)“Ain’t Got Enough Money to Pay Me Respect”: Blackfishing, Cultural Appropriation, and the Commodification of Blackness (2021)MEDIA AND THE SOCIAL CONSTRUCTION OF REALITY (1984)Producing Artistic Value: The Case of Rock Music (1994)Literary into Cultural Studies (2003)Performing Gender: A Content Analysis of Gender Display in Music Videos (2010)“Check On It” (2011)Cultural economy: a critical review (2005)Metrolingualism: fixity, fluidity and language in flux (2009)Territoriality and beyond: problematizing modernity in international relations (1993)Brand Community (2001)The effects of social media on emotions, brand relationship quality, and word of mouth: An empirical study of music festival attendees (2014)
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References

  • 1991Postmodernism, or, The cultural logic of late capitalism9,331 cited
  • 1992Postmodernism, or, The Cultural Logic of Late Capitalism7,061 cited
  • 2011Retromania: Pop Culture's Addiction to Its Own Past662 cited
  • 2002Sound Tracks: Popular Music Identity and Place424 cited
  • 2003Sound Tracks423 cited
  • 1941On Popular Music401 cited
  • 2004Experiencing music video: aesthetics and cultural context281 cited
  • 2004Screening the Past: Memory and Nostalgia in Cinema193 cited
  • 2004Experiencing Music Video: Aesthetics and Cultural Context167 cited
  • 2011Music Video and the Politics of Representation106 cited
  • 2014Media and Nostalgia92 cited
  • 2008Screening modernism: European art cinema, 1950-198089 cited
  • 2006Retro: The Culture of Revival85 cited
  • 2017The Long Take24 cited
  • 2017“But It’s Ours”:18 cited
  • 2017The Long Take: Art Cinema and the Wondrous13 cited

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