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Hyperspectral imaging of art: Acquisition and calibration workflows

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References

2010Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ239 cited
2014Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts157 cited
2002Ten years of art imaging research139 cited
2014Remote spectral imaging with simultaneous extraction of 3D topography for historical wall paintings95 cited
2015Automatic registration and mosaicking of technical images of Old Master paintings66 cited
2014Pigment Mapping of the Scream (1893) Based on Hyperspectral Imaging46 cited

Cited by

2021Nondestructive Evaluation of Heritage Object Coatings with Four Hyperspectral Imaging Systems34 cited
2021Comparison of Imaging Models for Spectral Unmixing in Oil Painting31 cited
2022Comparison of Hyperspectral Imaging and Fiber-Optic Reflectance Spectroscopy for Reflectance and Transmittance Measurements of Colored Glass24 cited
2022Hyperspectral Imaging Analyses of Cleaning Tests on Edvard Munch's Monumental Aula Paintings21 cited
2023A multimodal study of smalt preservation and degradation on the painting “Woman doing a Libation or Artemisia” from an anonymous painter of the Fontainebleau School10 cited
2024Development of a Hyperspectral Imaging Protocol for Painting Applications at the University of Seville8 cited

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