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Reconstructing the History of Motown Session Musicians: The Carol Kaye/James Jamerson Controversy
12 references·1 citing·32 second hop
Reconstructing the History of Motown Session Musicians: The Carol Kaye/James Jamerson Controversy (2019)Reconstructing the History of Motown Sess…I Hear a Symphony (2016)I Hear a SymphonyThe Wrecking Crew: the inside story of rock and roll's best-kept secret (2013)The Wrecking Crew: the inside…The Musicology of Record Production (2007)The Musicology of Record Prod…Electric Ladyland: Women and Rock Culture (2006)Electric Ladyland: Women and …Electric ladyland : women and rock culture (2005)Electric ladyland : women and…Continuum encyclopedia of popular music of the world (2003)Continuum encyclopedia of pop…The poetics of rock: cutting tracks, making records (2002)The poetics of rock: cutting …The Poetics of RockCutting Tracks, Making Records (2001)The Poetics of RockCutting Tr…Dancing in the Street: Motown and the Cultural Politics of Detroit (2000)Dancing in the Street: Motown…Stage to Studio: Musicians and the Sound Revolution, 1890-1950 (1998)Stage to Studio: Musicians an…Stage to Studio: Musicians and the Sound Revolution, 1890-1950. (1997)Stage to Studio: Musicians an…Where Did Our Love Go?: The Rise and Fall of the Motown Sound (1986)Where Did Our Love Go?: The R…Musikkforlagets rolle i den digitale musikkbransjen (2022)Musikkforlagets rolle i den d…Syntony and Spark: The Origins of Radio (1977)The American Film Industry (1985)Inventing American Broadcasting, 1899-1922 (1988)Technology and Below-the-Line Labor in the Copyfight over Intellectual Property (2006)The Sociology of Music (2007)Sound Work: Music as Labor and the 1940s Recording Bans of the American Federation of Musicians (2013)The Presentation of Self in Everyday Life. (1956)The Structure of Scientific Revolutions (1963)Metaphors We Live By (2003)The record producer as nexus : creative inspiration, technology and the recording industry (2009)Understanding Performance Expression in Popular Music Recordings (2014)Jamming and learning: analysing changing collective practice of changing participation (2016)"A Young Girls Dream": Examining the Barriers Facing Female Electric Guitarists (2010)‘It’s a man’s man’s man’s world’: Music groupies and the othering of women in the world of rock (2017)Posthumous consecration in rock’s legitimating discourse (2020)Music Mediated as Live in Austin: sound, technology, and recording practice (2002)Soundscapes: Toward a Sounded Anthropology (2010)Composing, songwriting, and producing: Informing popular music pedagogy (2013)Wired for sound: engineering and technologies in sonic cultures (2005)“Heritage rock”: Rock music, representation and heritage discourse (2009)California Noise (2004)Working Culture: The Agency and Employment Experiences of Nonunionized Workers in the Surfboard Industry (2014)The Cambridge Companion to Film Music (2016)‘The song factories have closed!’: songwriting camps as spaces of collaborative creativity in the post-industrial age (2024)The Sound of Crossover: Micro-rhythm and Sonic Pleasure in Michael Jackson's “Don't Stop 'Til You Get Enough” (2012)The ‘one-man band’ and entrepreneurial selfhood in neoliberal culture (2013)‘Find out what it means to me’: Aretha Franklin's gendered re-authoring of Otis Redding's ‘Respect’ (2014)Motown crossover hits 1963–1966 and the creative process (1995)Economics and the ecology of creativity: evidence from the popular music industry (2009)Black or White? Michael Jackson and the Idea of Crossover (2012)Social and symbolic boundaries in newspaper coverage of music, 1955–2005: Gender and genre in the US, France, Germany, and the Netherlands (2009)Precarious Creativity: Global Media, Local Labor (2016)
this work references cited by second hop

References

  • 2002The poetics of rock: cutting tracks, making records235 cited
  • 2001The Poetics of RockCutting Tracks, Making Records146 cited
  • 1997Stage to Studio: Musicians and the Sound Revolution, 1890-1950.128 cited
  • 2003Continuum encyclopedia of popular music of the world124 cited
  • 2000Dancing in the Street: Motown and the Cultural Politics of Detroit107 cited
  • 2007The Musicology of Record Production55 cited
  • 1986Where Did Our Love Go?: The Rise and Fall of the Motown Sound40 cited
  • 2006Electric Ladyland: Women and Rock Culture33 cited
  • 2016I Hear a Symphony31 cited
  • 1998Stage to Studio: Musicians and the Sound Revolution, 1890-195027 cited
  • 2013The Wrecking Crew: the inside story of rock and roll's best-kept secret21 cited
  • 2005Electric ladyland : women and rock culture15 cited

Cited by

  • 2022Musikkforlagets rolle i den digitale musikkbransjen13 cited

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