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Synthesising circus aesthetics and science: Australian circus and variety theatre at the turn of the twentieth century
16 references·0 citing·25 second hop
Synthesising circus aesthetics and science: Australian circus and variety theatre at the turn of the twentieth century (2018)Synthesising circus aesthetics and scienc…The Bandmann Circuit: Theatrical Networks in the First Age of Globalization 1 (2015)The Bandmann Circuit: Theatri…The circus and modernity: A commitment to ‘the newer’ and ‘the newest’ (2012)The circus and modernity: A c…Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890. (2010)Empire of Culture: U.S. Enter…Circus Bodies: Cultural Identity in Aerial Performance (2005)Circus Bodies: Cultural Ident…Circus Bodies (2005)Circus BodiesWomen in Motion: Loie Fuller and the “Interpenetration” of Art and Science (2002)Women in Motion: Loie Fuller …The strongman of eugenics, eugen Sandow (2002)The strongman of eugenics, eu…Performance and Evolution in the Age of Darwin (2002)Performance and Evolution in …Suspensions of perception: Attention, spectacle, and modern culture (2001)Suspensions of perception: At…Rings of Desire: Circus History and Representation (2001)Rings of Desire: Circus Histo…Body Ascendant: Modernism and the Physical Imperative (2000)Body Ascendant: Modernism and…Suspensions of Perception (1999)Suspensions of PerceptionLoie Fuller: Goddess of Light, by Richard Nelson Current and Marcia Ewing Current. Boston: Northeastern University Press, 1997. xx + 400 pp., photographs, appendix, notes, bibliography, index. $29.95 clothbound. (1998)Loie Fuller: Goddess of Light…Body Ascendant (1998)Body AscendantThe Sculpture Machine (1997)The Sculpture MachineFrom Minstrel Show to Vaudeville: The Australian Popular Stage, 1788-1914 (1990)From Minstrel Show to Vaudevi…Network Analysis, Culture, and the Problem of Agency (1994)Actor Network Theory and After (2001)Reassembling the social: An introduction to actor‐network‐theory (2008)Mapping Movement on the Move: Dance Touring and Digital Methods (2016)The Globalization of Theatre 1870–1930 (2019)A Huge Revolution of Theatrical Commerce (2020)Social Circus as an Organised Cultural Encounter Embodied Knowledge, Trust and Creativity at Play (2017)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)Intensities of feeling: towards a spatial politics of affect (2004)Data Derivatives (2011)Between emasculation and hypermasculinity: Theorizing British South Asian masculinities (2009)The Fitness Revolution. Historical Transformations in the Global Gym and Fitness Culture (2014)Indigenous Materialisms and Disciplinary Colonialism (2021)Performativity and the historical body: Detecting performance through the archived costume (2013)The secret life of plants: Visualizing vegetative movement, 1880–1903 (2012)Fighting nature: Travelling menageries, animal acts and war shows (2016)Print and Performance in the 1820s (2020)Dead Geographies—And How to Make Them Live (2000)An event of geographical ethics in spaces of affect (2003)Geographies for Moving Bodies: Thinking, Dancing, Spaces (2008)'To canter with the Sagitarre': Burns, Byron and the Equestrian Sublime (2011)Serial Forms (2020)Australia, a cultural history (1988)World English? How an Australian Invented ‘Good American Speech’ (2007)Staged savagery: Archibald Meston and his Indigenous exhibits (2016)
this work references cited by second hop

References

  • 1999Suspensions of Perception1,104 cited
  • 2001Suspensions of perception: Attention, spectacle, and modern culture551 cited
  • 1997The Sculpture Machine117 cited
  • 1998Body Ascendant109 cited
  • 2001Rings of Desire: Circus History and Representation92 cited
  • 2002Performance and Evolution in the Age of Darwin90 cited
  • 2005Circus Bodies81 cited
  • 1990From Minstrel Show to Vaudeville: The Australian Popular Stage, 1788-191459 cited
  • 2015The Bandmann Circuit: Theatrical Networks in the First Age of Globalization 148 cited
  • 2005Circus Bodies: Cultural Identity in Aerial Performance45 cited
  • 2000Body Ascendant: Modernism and the Physical Imperative45 cited
  • 2002Women in Motion: Loie Fuller and the “Interpenetration” of Art and Science32 cited
  • 2002The strongman of eugenics, eugen Sandow25 cited
  • 1998Loie Fuller: Goddess of Light, by Richard Nelson Current and Marcia Ewing Current. Boston: Northeastern University Press, 1997. xx + 400 pp., photographs, appendix, notes, bibliography, index. $29.95 clothbound.22 cited
  • 2010Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890.20 cited

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  • 2012The circus and modernity: A commitment to ‘the newer’ and ‘the newest’17 cited
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