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Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)
8 references·1 citing·29 second hop
Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016) (2019)Innovating Shakespeare: The Politics of T…Shakespeare, Spectatorship and the Technologies of Performance (2020)Shakespeare, Spectatorship an…Introduction: Shakespeare and the ‘Live’ Theatre Broadcast Experience (2018)Introduction: Shakespeare and…“The forms of things unknown”: Shakespeare and the Rise of the Live Broadcast (2017)“The forms of things unknown”…Fair Play — Art, Performance and Neoliberalism (2013)Fair Play — Art, Performance …The early Stuart masque: dance, costume, and music (2007)The early Stuart masque: danc…The Early Stuart Masque (2006)The Early Stuart MasqueInside the Royal Shakespeare Company (2004)Inside the Royal Shakespeare …Capitalism, Socialism and Democracy (1997)Capitalism, Socialism and Dem…A Tale of Two Productions (2022)A Tale of Two ProductionsThe Complete Works (1943)Unmarked: The Politics of Performance (1994)Liveness: performance in a mediatized culture (2008)The Tempest de William Shakespeare, dirigida por Gregory Doran (Royal Shakespeare Company, 2016-2017). Dialéctica entre tecnología virtual y corporalidad (2019)Trust: The Social Virtues and the Creation of Prosperity (1996)Soft Power: The Means to Success in World Politics (2004)Shakespeare: The Biography (2005)Still Shakespeare and the Photography of Performance (2019)A Short History of Shakespeare in Performance (2021)Understanding Media: The Extensions of Man (1964)Gender Trouble: Feminism and the Subversion of Identity (1991)How We Became Posthuman (1999)Viral Shakespeare (2021)Immersed in Technology: Art and Virtual Environments (1996)New Community Design to the Rescue: The Promises and Pitfalls of Post-Pandemic VR Theatre in North America (2024)A Jacobean Company and Its Playhouse: The Queen's Servants at the Red Bull Theatre (C.1605-1619) (2013)Mythologies of the Prophet Muhammad in Early Modern English Culture (2013)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Absorptive Capacity: A New Perspective on Learning and Innovation (1990)Dynamic capabilities and strategic management (1997)The Promise of Entrepreneurship as a Field of Research (2000)From the State of the Nation to Globalization: Shifting Political Agendas in Contemporary British Playwriting (2007)The Royal Shakespeare Company at 50 (2012)The Role ofLe Balet Comiquein Forging the Stuart Masque: Part 1 The Jacobean Initiative (2014)Jacobean Royal Premieres? (2019)Performances at Court in the Age of Shakespeare (2019)‘Keep hoping, keep going’: Towards a hopeful sociology of creative work (2018)Whose cultural value? Representation, power and creative industries (2018)Care-ful Work: An Ethics of Care Approach to Contingent Labour in the Creative Industries (2019)
this work references cited by second hop

References

  • 1997Capitalism, Socialism and Democracy15,265 cited
  • 2013Fair Play — Art, Performance and Neoliberalism256 cited
  • 2007The early Stuart masque: dance, costume, and music114 cited
  • 2006The Early Stuart Masque76 cited
  • 2020Shakespeare, Spectatorship and the Technologies of Performance66 cited
  • 2018Introduction: Shakespeare and the ‘Live’ Theatre Broadcast Experience48 cited
  • 2017“The forms of things unknown”: Shakespeare and the Rise of the Live Broadcast29 cited
  • 2004Inside the Royal Shakespeare Company19 cited

Cited by

  • 2022A Tale of Two Productions7 cited

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