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Theories of Authorship
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  • 2002Humor as a pedagogical tool in foreign language and translation courses162 cited
  • 2004Marxism and media studies: key concepts and contemporary trends87 cited
  • 1992Voicing the Feminine: Constructions of the Gendered Subject in Lyric Poetry by Women of Medieval and Late Imperial China50 cited
  • 2011Authorship and the Popular Song38 cited
  • 1990Authorship and the Cultural Politics of Film Criticism25 cited
  • 2015Farocki/Godard23 cited
  • 1989Cinema and the code18 cited
  • 1983Geographical education and film: an experimental course16 cited
  • 2000The Abolition of Copyright16 cited
  • 1990Frida Kahlo: Marginalization and the critical female subject11 cited
  • 1992The mystique of mise en scene revisited10 cited
  • 2013Hollywood's New Yorker: The Making of Martin Scorsese10 cited
  • 2022Profit Margins: The American Silent Cinema and the Marginalization of Advertising10 cited
  • 2004Cultural Meaning for Women Composers: Charlotte (“Minna”) Brandes and the Beautiful Dead in the German Enlightenment7 cited
  • 1996The message of the messenger : Tracey Moffatt and INXS write meanings on music video

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6 cited
  • 2016Irreducible Africanness and Autuer Theory: Situating Tunde Kelani's Politically Committed Movies5 cited