Wyspa jako scena teatralna: teatr społeczny od Navarra do Brancatiego

Abstract

In the works of Sicilian writers it is easy to notice the transformation of the island into a sort of a big stage with moving characters that become authentic actors who, in the same stage, perform the most disparate roles. The sign of the simulation thus connotes the interweaving of the stories of De Roberto, Tomasi, Consolo, and many others. Here, this theme is analysed, focusing on the most significant texts of the greatest Sicilian writers.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 0 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.