SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia
0 references·6 citing·27 second hop
Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia (2016)Turbo-folk Music and Cultural Representat…Stories of Crime and Music (2020)Stories of Crime and MusicLanguage, the Singer and the Song (2019)Language, the Singer and the …Beyond good and evil? Popular songs, mathemes and bus rides (art and transition in the region of the former Yugoslavia) (2019)Beyond good and evil? Popular…Sounds of Attraction: Yugoslav and Post-Yugoslav Popular Music (2018)Sounds of Attraction: Yugosla…Post-socialist context of culture-led urban regeneration – Case study of a street in Novi Sad, Serbia (2018)Post-socialist context of cul…Rethinking Class in Socialist Yugoslavia: Labor, Body, and Moral Economy (2017)Rethinking Class in Socialist…Rocking the State: Rock Music and Politics in Eastern Europe and Russia (1995)Gender and sexuality (2002)Social Inequalities and Discontent in Yugoslav Socialism (2016)Creative industries: contracts between art and commerce (2000)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)The Creative City (2012)Race/ethnicity, place, and art and culture entrepreneurship in underserved communities (2021)Culture-Led Regeneration of Industrial Brownfield Hosting Temporary Uses: A Post-Socialist Context–Case Study from Novi Sad, Serbia (2022)European Capital of Culture and creative industries: Real impact or unproven belief? The case of Wrocław (2023)The Presentation of Self in Everyday Life. (1956)Communities of practice learning, meaning, and identity (1999)Metaphors We Live By (2003)Catchy and conversational? A register analysis of pop lyrics (2021)English Rock and Pop Performances (2022)Pop Song English as a supralocal norm (2023)The Cultural study of music: a critical introduction (2003)The Moral Imagination (2005)The generation of postmemory: writing and visual culture after the Holocaust (2013)Principles of Criminology. (1947)Studying Popular Music (1990)Can't Stop Won't Stop: A History of the Hip-Hop Generation (2005)The soundtrack of criminal careers: On music, life courses and life stories (2023)Time and the Other: How Anthropology Makes Its Object (1983)Glocalization: Time-Space and Homogeneity-Heterogeneity (1995)Camera Lucida: Reflections on Photography (2001)“We are the Partisans of Our Time”: Antifascism and Post-Yugoslav Singing Memory Activism (2020)On the Other Side of the Genre Boundary (2020)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2018Post-socialist context of culture-led urban regeneration – Case study of a street in Novi Sad, Serbia30 cited
  • 2019Language, the Singer and the Song26 cited
  • 2017Rethinking Class in Socialist Yugoslavia: Labor, Body, and Moral Economy12 cited
  • 2018Sounds of Attraction: Yugoslav and Post-Yugoslav Popular Music9 cited
  • 2019Beyond good and evil? Popular songs, mathemes and bus rides (art and transition in the region of the former Yugoslavia)7 cited
  • 2020Stories of Crime and Music2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work