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“Nobody understands what is beautiful and what is not”: Governing Soviet Amateur Photography, Photography Clubs and the Journal Sovetskoe Foto
7 references·0 citing·18 second hop
“Nobody understands what is beautiful and what is not”: Governing Soviet Amateur Photography, Photography Clubs and the Journal Sovetskoe Foto (2019)“Nobody understands what is beautiful and…Finding a Home for Television in the USSR, 1950-1970 (2007)Finding a Home for Television…Photography speaks : 150 photographers on their art (2004)Photography speaks : 150 phot…Beyond memory : Soviet nonconformist photography and photo-related works of art (2004)Beyond memory : Soviet noncon…Real Images: Soviet Cinema and the Thaw (2001)Real Images: Soviet Cinema an…Real Images (2000)Real ImagesCamera Obscura: Socialist Realism in the Shadow of Photography (2000)Camera Obscura: Socialist Rea…Photography in the Thaw (1994)Photography in the ThawThe Birth of the Propaganda State (1985)As seen on TV: the visual culture of everyday life in the 1950s (1995)Cold War in the Kitchen: Gender and the De-Stalinization of Consumer Taste in the Soviet Union under Khrushchev (2002)Alfred Schnittke's Nagasaki: Soviet Nuclear Culture, Radio Moscow, and the Global Cold War (2009)From Media Systems to Media Cultures: Understanding Socialist Television (2018)Martyrs, Miracles, and Martians: Religion and Cold War Cinematic Propaganda in the 1950s (2002)EMBLEMATIC OF THE THAW (2006)Hamlet's Arab journey: Shakespeare's prince and Nasser's ghost (2012)The Space Race and Soviet Utopian Thinking (2009)“Where I Have Been with my Camera”: Sergei Tret’iakov and Developing Operativity (2019)Entre arte e propaganda: fotografia e fotomontagem na vanguarda soviética (2005)Practices of photography on kibbutz: The case of Eliezer Sklarz (2015)“Boring Photography”: American New Topographics, Socialist Boredom, and Post-Soviet Deadpan Photography (2022)Photographic disasters (1993)A natureza da fotografia na fotografia da natureza: o selvagem, a desmesura e a beleza do mundo (2010)Cinema of Attractions versus Narrative Cinema: Leonid Gaidai’s Comedies and El'dar Riazanov’s Satires of the 1960s (2003)Zooming in - zooming out: politics of photographic aesthetics across Finnish-Soviet borders in the 1930s (2014)Reimagining the History of the Avant-garde: Photography and the Journal Sovetskoe foto in the 1950s and Early 1960s (2017)
this work references cited by second hop

References

  • 2000Real Images72 cited
  • 2007Finding a Home for Television in the USSR, 1950-197057 cited
  • 2000Camera Obscura: Socialist Realism in the Shadow of Photography53 cited
  • 2001Real Images: Soviet Cinema and the Thaw44 cited
  • 2004Beyond memory : Soviet nonconformist photography and photo-related works of art15 cited
  • 1994Photography in the Thaw8 cited
  • 2004Photography speaks : 150 photographers on their art8 cited

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