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Use of THM-PY-GC/MS technique to characterize complex, multilayered Chinese lacquer
16 references·16 citing·39 second hopsampled
Use of THM-PY-GC/MS technique to characterize complex, multilayered Chinese lacquer (2019)Use of THM-PY-GC/MS technique to characte…Analytical pyrolysis of proteins in samples from artistic and archaeological objects (2017)Analytical pyrolysis of prote…Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Raman spectroscopy of mineral…Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers (2016)Beyond the basics: A systemat…Surface‐enhanced Raman spectroscopy in art and archaeology (2015)Surface‐enhanced Raman spectr…Comparative analysis of eastern and western drying-oil binding media used in polychromic artworks by pyrolysis–gas chromatography/mass spectrometry under the influence of pigments (2015)Comparative analysis of easte…Application of Pyrolysis Gas Chromatography/Mass Spectrometry in Lacquer Research: A Review (2014)Application of Pyrolysis Gas …Identification of collagen-based materials in cultural heritage (2013)Identification of collagen-ba…Scientific investigation of the paint and adhesive materials used in the Western Han dynasty polychromy terracotta army, Qingzhou, China (2012)Scientific investigation of t…Molecular criteria for discriminating museum Asian lacquerware from different vegetal origins by pyrolysis gas chromatography/mass spectrometry (2011)Molecular criteria for discri…Applied analysis of lacquer films based on pyrolysis-gas chromatography/mass spectrometry (2006)Applied analysis of lacquer f…Raman Spectroscopic Analysis of Ancient Egyptian Pigments (2001)Raman Spectroscopic Analysis …Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Studies of organic residues from ancient Egyptian mummies using high temperature-gas chromatography-mass spectrometry and sequential thermal desorption-gas chromatography-mass spectrometry and pyrolysis-gas chromatography-mass spectrometry (1999)Studies of organic residues f…Pigment investigation of a late-medieval manuscript with total reflection X-ray fluorescence and micro-Raman spectroscopy (1999)Pigment investigation of a la…Investigation of pigments in medieval manuscripts by micro raman spectroscopy and total reflection X-ray fluorescence spectrometry (1999)Investigation of pigments in …An overview of oriental lacquer: Art and chemistry of the original high-tech coating (1989)An overview of oriental lacqu…Shedding new light on lacquering crafts from the Northern Wei Dynasty (386–534 CE) by revisiting the lacquer screen from Sima Jinlong's Tomb (2025)Shedding new light on lacquer…Exploring thitsi in Qing Dynasty lacquerware: Insights from a preliminary study (2025)Exploring thitsi in Qing Dyna…Identification of laccol as a paint binder in Neolithic pottery from China (2024)Identification of laccol as a…Surface appearance and morphology changes of Asian lacquer due to artificial aging: Impacts of traditional additives (2023)Surface appearance and morpho…Spectroscopic Investigation of a Color Painting on an Ancient Wooden Architecture from the Taiping Heavenly Kingdom Prince Dai’s Mansion in Jiangsu, China (2023)Spectroscopic Investigation o…A Study on the Materials Used in the Ancient Architectural Paintings from the Qing Dynasty Tibetan Buddhist Monastery of Puren, China (2023)A Study on the Materials Used…The lacquer crafting of Ba state: Insights from a Warring States lacquer scabbard excavated from Lijiaba site (Chongqing, southwest China) (2022)The lacquer crafting of Ba st…Determination of Peach Gum in Ancient Chinese Paintings by Biotin-Streptavidin-Enzyme-Linked Immunosorbent Assay (2022)Determination of Peach Gum in…Systematic study of the material, structure and lacquering techniques of lacquered wooden coffins from the Eastern Regius Tombs of the Qing Dynasty, China (2021)Systematic study of the mater…Study of colored lacquerwares from Zenghou Yi Tomb in Early Warring States (2021)Study of colored lacquerwares…Micro-Raman, XRD and THM-Py-GC/MS analysis to characterize the materials used in the Eleven-Faced Guanyin of the Du Le Temple of the Liao Dynasty, China (2021)Micro-Raman, XRD and THM-Py-G…Identification of minerals and mineral pigments in lacquer by the comprehensive comparative analysis of spectroscopy information (2021)Identification of minerals an…Analytical pyrolysis applied to the characterisation and identification of Asian lacquers in cultural heritage samples – A review (2021)Analytical pyrolysis applied …Spectroscopic investigation and comprehensive analysis of the polychrome clay sculpture of Hua Yan Temple of the Liao Dynasty (2020)Spectroscopic investigation a…Characterization of the materials and techniques of a birthday inscribed lacquer plaque of the Qing Dynasty (2020)Characterization of the mater…Challenges in the data analysis of Asian lacquers from museum objects by pyrolysis gas chromatography/mass spectrometry (2020)Challenges in the data analys…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Investigating Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) by high performance liquid chromatography tandem mass spectrometry – Towards the creation of a mass spectra database (2018)Ancient Peoples and Places (1966)Characterization of Rhus vernicifera and Rhus succedanea lacquer films and their pyrolysis mechanisms studied using two-stage pyrolysis-gas chromatography/mass spectrometry (1996)Study of historical Chinese lacquer culture and technology – Analysis of Chinese Qin-Han dynasty lacquerware (2016)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Micro‐Raman characterizations of Pompei'smortars (2008)Application of spectroscopic techniques to the study of illuminated manuscripts: A survey (2012)The application of state-of-the-art technologies to support artwork conservation: Literature review (2020)Infrared Spectroscopy in Conservation Science (2000)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)A 100,000-Year-Old Ochre-Processing Workshop at Blombos Cave, South Africa (2011)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Characterizing the pigments and paints of prehistoric artists (2021)In situ Raman spectroscopy for cultural heritage studies (2021)The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)Characterization of the Balm of an Egyptian Mummy from the Seventh Century B.C. (2000)Recent Advances in Analytical Pyrolysis to Investigate Organic Materials in Heritage Science (2018)Comprehensive Multi-Analytical Investigations on the Vietnamese lacquered Wall-Panel “The Return of the Hunters” by Jean Dunand (2019)A review of solvent action on oil paint (2020)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)A pyrolysis approach for characterizing and assessing degradation of polyurethane foam in cultural heritage objects (2018)Compound-specific radiocarbon dating and mitochondrial DNA analysis of the Pleistocene hominin from Salkhit Mongolia (2019)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Palaeoproteomic evidence identifies archaic hominins associated with the Châtelperronian at the Grotte du Renne (2016)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Archaeometry and materiality: materials‐based analysis in theory and practice* (2004)A comprehensive micro‐Raman spectroscopic study of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, Spain (2008)A review of ancient Egyptian pigments and cosmetics (2015)Neanderthal medics? Evidence for food, cooking, and medicinal plants entrapped in dental calculus (2012)Evidence for Prehistoric Origins of Egyptian Mummification in Late Neolithic Burials (2014)Dental calculus reveals potential respiratory irritants and ingestion of essential plant-based nutrients at Lower Palaeolithic Qesem Cave Israel (2015)
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References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 2016Raman spectroscopy of minerals and mineral pigments in archaeometry191 cited
  • 2013Identification of collagen-based materials in cultural heritage172 cited
  • 2015Surface‐enhanced Raman spectroscopy in art and archaeology148 cited
  • 2017Analytical pyrolysis of proteins in samples from artistic and archaeological objects148 cited
  • 2016Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers127 cited
  • 2001Raman Spectroscopic Analysis of Ancient Egyptian Pigments121 cited
  • 1999Studies of organic residues from ancient Egyptian mummies using high temperature-gas chromatography-mass spectrometry and sequential thermal desorption-gas chromatography-mass spectrometry and pyrolysis-gas chromatography-mass spectrometry110 cited
  • 1999Investigation of pigments in medieval manuscripts by micro raman spectroscopy and total reflection X-ray fluorescence spectrometry101 cited
  • 2006Applied analysis of lacquer films based on pyrolysis-gas chromatography/mass spectrometry79 cited
  • 2012Scientific investigation of the paint and adhesive materials used in the Western Han dynasty polychromy terracotta army, Qingzhou, China74 cited
  • 2014Application of Pyrolysis Gas Chromatography/Mass Spectrometry in Lacquer Research: A Review74 cited
  • 1999

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Pigment investigation of a late-medieval manuscript with total reflection X-ray fluorescence and micro-Raman spectroscopy
73 cited
  • 1989An overview of oriental lacquer: Art and chemistry of the original high-tech coating71 cited
  • 2011Molecular criteria for discriminating museum Asian lacquerware from different vegetal origins by pyrolysis gas chromatography/mass spectrometry66 cited
  • 2015Comparative analysis of eastern and western drying-oil binding media used in polychromic artworks by pyrolysis–gas chromatography/mass spectrometry under the influence of pigments59 cited
  • Cited by

    • 2020Spectroscopic investigation and comprehensive analysis of the polychrome clay sculpture of Hua Yan Temple of the Liao Dynasty38 cited
    • 2021Analytical pyrolysis applied to the characterisation and identification of Asian lacquers in cultural heritage samples – A review33 cited
    • 2021Micro-Raman, XRD and THM-Py-GC/MS analysis to characterize the materials used in the Eleven-Faced Guanyin of the Du Le Temple of the Liao Dynasty, China25 cited
    • 2021Systematic study of the material, structure and lacquering techniques of lacquered wooden coffins from the Eastern Regius Tombs of the Qing Dynasty, China23 cited
    • 2020Challenges in the data analysis of Asian lacquers from museum objects by pyrolysis gas chromatography/mass spectrometry20 cited
    • 2020Characterization of the materials and techniques of a birthday inscribed lacquer plaque of the Qing Dynasty20 cited
    • 2025Shedding new light on lacquering crafts from the Northern Wei Dynasty (386–534 CE) by revisiting the lacquer screen from Sima Jinlong's Tomb20 cited
    • 2021Study of colored lacquerwares from Zenghou Yi Tomb in Early Warring States15 cited
    • 2023Surface appearance and morphology changes of Asian lacquer due to artificial aging: Impacts of traditional additives15 cited
    • 2021Identification of minerals and mineral pigments in lacquer by the comprehensive comparative analysis of spectroscopy information14 cited
    • 2024Identification of laccol as a paint binder in Neolithic pottery from China13 cited
    • 2025Exploring thitsi in Qing Dynasty lacquerware: Insights from a preliminary study12 cited
    • 2023A Study on the Materials Used in the Ancient Architectural Paintings from the Qing Dynasty Tibetan Buddhist Monastery of Puren, China11 cited
    • 2022The lacquer crafting of Ba state: Insights from a Warring States lacquer scabbard excavated from Lijiaba site (Chongqing, southwest China)10 cited
    • 2023Spectroscopic Investigation of a Color Painting on an Ancient Wooden Architecture from the Taiping Heavenly Kingdom Prince Dai’s Mansion in Jiangsu, China10 cited
    • 2022Determination of Peach Gum in Ancient Chinese Paintings by Biotin-Streptavidin-Enzyme-Linked Immunosorbent Assay10 cited