A post-black-power child: Rashid Johnson's historical references enact a complex historical reckoning.

Naomi Beckwith

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Art, Politics, and Modernism Photographic and Visual Arts Race, History, and American Society

Abstract

The article presents a profile and discusses the work of the African-American artist Rashid Johnson. Particular focus is paid to the historical references, particularly references to African American history, that Johnson employs in many of his works, such as in the photographic series New Negro Escapist Social and Athletic Club.

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