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Gained in translation: The reception of foreign cinema in Mao’s China
16 references·0 citing·34 second hop
Gained in translation: The reception of foreign cinema in Mao’s China (2019)Gained in translation: The reception of f…Socialist Cosmopolitanism (2017)Socialist CosmopolitanismMaking Sense of Cinema (2016)Making Sense of CinemaBeyond the ideology principle: the two faces of dubbed foreign films in PRC, 1949–1966 (2015)Beyond the ideology principle…‘The law has no conscience’: The cultural construction of justice and the reception of Awara in China (2013)‘The law has no conscience’: …Cinema Babel: translating global cinema (2008)Cinema Babel: translating glo…Under the loving care of the fatherly leader: North Korea and the Kim Dynasty (2005)Under the loving care of the …Early Cinema in Russia and its Cultural Reception (2005)Early Cinema in Russia and it…Internationalism and Cultural Experience: Soviet Films and Popular Chinese Understandings of the Future in the 1950s (2004)Internationalism and Cultural…Balzac and the Little Chinese Seamstress (2003)Balzac and the Little Chinese…An Everyday Magic (2002)An Everyday MagicMelodrama and modernity: early sensational cinema and its contexts (2001)Melodrama and modernity: earl…Transnational Chinese cinemas: identity, nationhood, gender (1998)Transnational Chinese cinemas…Star Gazing: Hollywood Cinema and Female Spectatorship. (1995)Star Gazing: Hollywood Cinema…Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (1991)Making Meaning: Inference and…Film Bodies: Gender, Genre, and Excess (1991)Film Bodies: Gender, Genre, a…Television: Polysemy and popularity (1986)Television: Polysemy and popu…Visual Pleasure and Narrative Cinema (1975)Home is where the heart is: studies in melodrama and the woman's film (1988)Hard core: power, pleasure, and "the frenzy of the visible" (1990)What Does It Mean to Be an American? Patriotism, Nationalism, and American Identity After 9/11 (2004)The Corporeal Image (2005)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Marxism and the philosophy of language (1973)Culture, Media, Language (1982)The problem of hegemony: Rereading Gramsci for organizational communication studies (1997)FEAR, TV NEWS, AND THE REALITY OF CRIME* (2000)Culture, Media, Language (2003)Media coverage of police misconduct and attitudes toward police (2006)Princeton/Stanford Working Papers in Classics (2006)Saddam Hussein's Ba'th Party: inside an authoritarian regime (2012)“You are what you are in this world”: visual framing and exemplification in media coverage of the Guttenfelder Instagram photographs from North Korea (2017)Intellectualization and Art World Development: Film in the United States (2001)From Beats to Arcs: Toward a Poetics of Television Narrative (2006)A philosophy of cinematic art (2010)Neither Fish nor Fowl: Feminism, Desire, and the Lesbian Consumer Market (2004)Audience retrospection as a source of historiography: Oral history interviews on early television experiences (2014)‘A real show for mature women’ ageing along with ageing stars:Grace and Frankiefandom on Facebook (2018)Audiovisual translation (2010)Amateur subtitling and the pragmatics of spectatorial subjectivity (2012)Community Translation: Translation as a social activity and its possible consequences in the advent of Web 2.0 and beyond (2021)Rebel without a Cause? China’s New Urban Generation and Postsocialist Filmmaking (2007)Tear Down the City (2007)Chinese media and globalization (2012)Performing Bandung: China’s dance diplomacy with India, Indonesia, and Burma, 1953–1962 (2017)Memory studies: For and against (2007)Remembering research: memory and methodology in the social sciences (2009)Record and remember: Memory and meaning-making practices through mobile media (2015)Death Every Afternoon (2003)Time and the Moment in Victorian Literature and Society (2011)Ecocinema Theory and Practice 2 (2022)
this work references cited by second hop

References

  • 1991Film Bodies: Gender, Genre, and Excess1,241 cited
  • 2001Melodrama and modernity: early sensational cinema and its contexts454 cited
  • 1986Television: Polysemy and popularity362 cited
  • 1991Making Meaning: Inference and Rhetoric in the Interpretation of Cinema300 cited
  • 2017Socialist Cosmopolitanism180 cited
  • 1995Star Gazing: Hollywood Cinema and Female Spectatorship.164 cited
  • 1998Transnational Chinese cinemas: identity, nationhood, gender164 cited
  • 2008Cinema Babel: translating global cinema162 cited
  • 2002An Everyday Magic159 cited
  • 2005Under the loving care of the fatherly leader: North Korea and the Kim Dynasty147 cited
  • 2004Internationalism and Cultural Experience: Soviet Films and Popular Chinese Understandings of the Future in the 1950s68 cited
  • 2005Early Cinema in Russia and its Cultural Reception60 cited
  • 2013‘The law has no conscience’: The cultural construction of justice and the reception of Awara in China16 cited
  • 2003Balzac and the Little Chinese Seamstress13 cited
  • 2015Beyond the ideology principle: the two faces of dubbed foreign films in PRC, 1949–196610 cited

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2016
Making Sense of Cinema
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