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The Color Blue as an ‘Animator’ in Ancient Egyptian Art
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The Color Blue as an ‘Animator’ in Ancient Egyptian Art (2016)The Color Blue as an ‘Animator’ in Ancien…On the production of ancient Egyptian blue: Multi-modal characterization and micron-scale luminescence mapping (2020)On the production of ancient …Notes on Vestorius’ Blue – New findings and investigations (2020)Notes on Vestorius’ Blue – Ne…Practical application of visible-induced luminescence and use of parasitic IR reflectance as relative spatial reference in Egyptian artifacts (2019)Practical application of visi…Do You See What I See? Aspects of Color Choice and Perception in Ancient Egyptian Painting (2018)Do You See What I See? Aspect…Ancient Egyptian Materials and Industries (1948)Basic Color Terms: Their Universality and Evolution. (1971)The Oxford Handbook of the Archaeology of Ritual and Religion (2011)Photoluminescence of the inorganic pigments Egyptian blue, Han blue and Han purple (2000)The invention of blue and purple pigments in ancient times (2006)The spatially resolved characterisation of Egyptian blue, Han blue and Han purple by photo-induced luminescence digital imaging (2009)Egyptian blue ? Cuprorivaite a window to ancient Egyptian technology (1983)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Spectrochemical characterization by micro-FTIR spectroscopy of blue pigments in different polychrome works of art (1999)Raman identification of glassy silicates used in ceramics, glass and jewellery: a tentative differentiation guide (2006)Synchrotron Radiation-Based Micro-XANES and Micro-XRF Study of Unsuccessfully Produced Egyptian Blue from the Late Hellenistic Production Site of Kos (Dodecanese, Greece) (2021)Investigation of Egyptian Blue on a Fragmentary Egyptian Head Using ER-FTIR Spectroscopy and VIL Imaging (2023)
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  • 2020On the production of ancient Egyptian blue: Multi-modal characterization and micron-scale luminescence mapping14 cited
  • 2019Practical application of visible-induced luminescence and use of parasitic IR reflectance as relative spatial reference in Egyptian artifacts12 cited
  • 2018Do You See What I See? Aspects of Color Choice and Perception in Ancient Egyptian Painting10 cited
  • 2020Notes on Vestorius’ Blue – New findings and investigations9 cited

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