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Composing has been a significant and assessed part of music in the classroom since its introduction into the English National Curriculum in 1988. However, there is very little research into how the assessment of composing influences teaching and learning practices. Within a time of great educational change and uncertainty for music education, this research seeks to uncover complexities within teaching and assessing composing at Key Stage 4 and Key Stage 5. \n \nTo investigate this under-researched area, mixed methodology approaches were used. Two surveys were conducted to gather breadth of teachers’ experiences of the assessment and nine telephone interviews with selected participants from the survey were also conducted. Five case studies allowed for in-depth data collection from diverse school settings from teachers as well as students. Case study data were obtained through interviews, focus groups and field observations. As the research sought to capture multiple perspectives, interviews with five composer-educators were also included. Data from participants were analysed through thematic and grounded theory approaches, as well as theorised using Engeström’s (2001) culturalhistorical activity theory and Bourdieu’s (1984) notions of field, capital and habitus. \n \nSeveral contributions to knowledge are presented and discussed such as the significant concerns regarding reliability, subjectivity and bias in the assessment of composing at KS4 and KS5, along with questions regarding validity and real-world usefulness of the teaching and examinations. Due to high accountability cultures many teachers felt they had to alter their teaching to ensure their students passed the examinations. The study uncovered layers of powers, myths and mechanisms used to keep control, which in turn created internal conflict in teachers. Although this study found discontent and conflict, teachers and students were also complicit, not feeling able to openly contest the current systems in place. This exploratory study gives an indepth overview into the complexities of assessing and teaching composing at KS4 and KS5 outlining the challenges and pressures teachers and students face.
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