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‘Do you wanna come with me?’: The role of the star image as brand for the commodification of cult in mainstream telefantasy
9 references·0 citing·44 second hop
‘Do you wanna come with me?’: The role of the star image as brand for the commodification of cult in mainstream telefantasy (2019)‘Do you wanna come with me?’: The role of…The expertise of digital fandom as a ‘community of practice’ (2015)The expertise of digital fand…Afterword: Studying Media with and without Paratexts (2015)Afterword: Studying Media wit…Is this TVIV? On Netflix, TVIII and binge-watching (2014)Is this TVIV? On Netflix, TVI…Mapping commercial intertextuality: HBO’s True Blood (2011)Mapping commercial intertextu…CONSUMING AUTHENTICITY (2008)CONSUMING AUTHENTICITYStarring Lucy Lawless? (2000)Starring Lucy Lawless?Claims to Fame (1994)Claims to FameStar texts : image and performance in film and television (1991)Star texts : image and perfor…Silence of the Lambs (1988)Silence of the LambsHeavenly Bodies: Film Stars and Society (1987)Textual poachers : television fans & participatory culture (1992)Star gazing: Hollywood cinema and female spectatorship (1995)‘It’s all my interpretation’ (2005)Reading the Romance of Fan Cultural Production: Music Videos of a Television Lesbian Couple (2008)„And one fragment emerged to me …“ Gedanken zur Einleitung (2021)Show sold separately: promos, spoilers, and other media paratexts (2010)The Paratext of Fan Fiction (2014)Participatory journalism - the (r)evolution that wasn't. Content and user behavior in Sweden 2007-2013 (2015)Transmediality and the Politics of Adaptation: Concepts, Forms, and Strategies (2015)The Cultural Industries (2019)Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)The Gulf War Did Not Take Place. (1997)Netflix, Amazon, and branded television content in subscription video on-demand portals (2017)House of Netflix: Streaming media and digital lore (2018)Understanding motivations to use online streaming services: integrating the technology acceptance model (TAM) and the uses and gratifications theory (UGT) (2020)Sincerity and Authenticity (1972)Creating Country Music (1997)Democracy versus Distinction: A Study of Omnivorousness in Gourmet Food Writing (2007)New Retail Capital and Neighborhood Change: Boutiques and Gentrification in New York City (2009)More Coffee, Less Crime? The Relationship between Gentrification and Neighborhood Crime Rates in Chicago, 1991 to 2005 (2011)Distinction: A Social Critique of the Judgement of Taste* (2018)Communities of Practice (1998)Communities of practice learning, meaning, and identity (1999)Blogs, Wikipedia, Second Life, and beyond: from production to produsage (2009)Online community development through social interaction — K-Pop stan twitter as a community of practice (2020)Boy’s love drama exposure and attitudes toward same-sex relationships: Applying a moderated mediation model in the Chinese context (2022)“We will not be lectured”: understanding political fandom on TikTok (2024)Gérard Genette Paratexts (1997)Paratexts: Thresholds of Interpretation (1997)Television, Audiences and Cultural Studies (2003)The Paratextual Analysis of English Translations of Arabic Media Narratives on Daesh (2017)World Building. Transmedia, Fans, Industries (2017)World Building. Transmedia, Fans, Industries (2017)Emotional response categorization. (1999)Recruiting international students as skilled migrants: the global ‘skills race’ as viewed from Australia and Malaysia (2006)Disentangling emotion processes in borderline personality disorder: Physiological and self-reported assessment of biological vulnerability, baseline intensity, and reactivity to emotionally evocative stimuli. (2009)The celebritization of society and culture: Understanding the structural dynamics of celebrity culture (2012)Celebrity capital: redefining celebrity using field theory (2013)Master of Puppets: How Narcissistic CEOs Construct Their Professional Worlds (2016)Queer Nationality (written with Elizabeth Freeman) (1997)Superhit hunk heroes for sale: Globalization and Bollywood's gender politics (2001)A view to a brand: introducing the film brandscape (2013)
this work references cited by second hop

References

  • 1994Claims to Fame559 cited
  • 2008CONSUMING AUTHENTICITY458 cited
  • 2014Is this TVIV? On Netflix, TVIII and binge-watching322 cited
  • 1988Silence of the Lambs65 cited
  • 1991Star texts : image and performance in film and television62 cited
  • 2011Mapping commercial intertextuality: HBO’s True Blood41 cited
  • 2015The expertise of digital fandom as a ‘community of practice’41 cited
  • 2000Starring Lucy Lawless?23 cited
  • 2015Afterword: Studying Media with and without Paratexts16 cited

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