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Practical application of visible-induced luminescence and use of parasitic IR reflectance as relative spatial reference in Egyptian artifacts
16 references·0 citing·40 second hop
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References

  • 2006The invention of blue and purple pigments in ancient times255 cited
  • 2009The spatially resolved characterisation of Egyptian blue, Han blue and Han purple by photo-induced luminescence digital imaging170 cited
  • 2000Photoluminescence of the inorganic pigments Egyptian blue, Han blue and Han purple153 cited
  • 2007The Invention of Blue and Purple Pigments in Ancient Times145 cited
  • 2008The production technology of Egyptian blue and green frits from second millennium BC Egypt and Mesopotamia135 cited
  • 2011The Temple of Venus (Pompeii): a study of the pigments and painting techniques85 cited
  • 2002Chemistry in Ancient Times: The Development of Blue and Purple Pigments76 cited
  • 2013Strontium, a new marker of the origin of gypsum in cultural heritage?63 cited
  • 2018Non-Destructive Multi-Analytical Approach to Study the Pigments of Wall Painting Fragments Reused in Mortars from the Archaeological Site of Pompeii (Italy)47 cited
  • 2014Applications of Reflectance Transformation Imaging (RTI) to the study of bone surface modifications39 cited
  • 2011Striking presence of Egyptian blue identified in a painting by Giovanni Battista Benvenuto from 152438 cited
  • 2009Inexpensive, Near-Infrared Imaging of Artwork Using a Night-Vision Webcam for Chemistry-of-Art Courses34 cited
  • 1982The Discovery of Egyptian Blue in a Roman Fresco of the Mediaeval Period (Ninth Century A.D.)32 cited

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  • 2016The Color Blue as an ‘Animator’ in Ancient Egyptian Art25 cited
  • 2010DIGITAL MAPING OF EGYPTIAN BLUE : CONSERVATION IMPLICATIONS23 cited
  • 2018Egyptian blue in the Castelseprio mural painting cycle. Imaging and evidence of a non-traditional manufacture21 cited
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