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Sounding Arabic: postvernacular modes of performing the Arabic language in popular music by Israeli Jews
16 references·1 citing·34 second hop
Sounding Arabic: postvernacular modes of performing the Arabic language in popular music by Israeli Jews (2019)Sounding Arabic: postvernacular modes of …Modernity's ear: listening to race and gender in world music (2016)Modernity's ear: listening to…Arab Cultural Studies: Mapping the Field (2011)Arab Cultural Studies: Mappin…Playing across a divide: Israeli-Palestinian musical encounters (2010)Playing across a divide: Isra…Playing across a Divide (2009)Playing across a DivideAdventures in Yiddishland: Postvernacular Language and Culture (2005)Adventures in Yiddishland: Po…Adventures in Yiddishland (2005)Adventures in YiddishlandPopular Music and National Culture in Israel (2004)Popular Music and National Cu…Global Pop, Local Language (2003)Global Pop, Local Language5. The Practice of Everyday Life (2000)5. The Practice of Everyday L…The Invention of the Mizrahim (1999)The Invention of the MizrahimGlobal Pop: World Music, World Markets (1998)Global Pop: World Music, Worl…The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s (1996)The Aesthetics of the Global …Theorizing Heritage (1995)Theorizing HeritageLanguage Ideology (1994)Language IdeologyThe Practice of Everyday Life (1986)The Practice of Everyday LifeBeracha Zefira - A Case Study of Acculturation in Israeli Song (1986)Beracha Zefira - A Case Study…Sonic masquerading in Israeli popular music: self-Imitation, accent, and mockery (2021)Sonic masquerading in Israeli…Sephardim in Israel: Zionism from the Standpoint of Its Jewish Victims (1988)Dangerous liaisons: gender, nation, and postcolonial perspectives (1997)The Social Construction of Postcolonial Studies (2005)Participatory destigmatization strategies among Palestinian citizens, Ethiopian Jews and Mizrahi Jews in Israel (2011)Beyond culture and economy: Israel’s security-driven populism (2020)Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences (1987)2. Old And New Identities, Old And New Ethnicities (1991)Riffs, Repetition, and Theories of Globalization (1999)World music: deterritorializing place and identity (2004)Transidiomatic practices: Language and power in the age of globalization (2005)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)A Sweet Lullaby for World Music (2000)Music and the Global Order (2004)Dub: soundscapes and shattered songs in Jamaican reggae (2007)People as Infrastructure: Intersecting Fragments in Johannesburg (2004)Autoethnography: An Overview (2010)Towards a Politics of Mobility (2010)SECULARISM AND LAICISM IN TURKEY (2008)Stop, Revive, Survive: Lessons from the Hebrew Revival Applicable to the Reclamation, Maintenance and Empowerment of Aboriginal Languages and Cultures (2011)Autochthonous heritage languages and social media: writing and bilingual practices in Low German on Facebook (2016)Cultural Heritage (2012)Cultural heritage and memory: untangling the ties that bind (2015)Visitors’ Experience, Place Attachment and Sustainable Behaviour at Cultural Heritage Sites: A Conceptual Framework (2017)Language, Race, and White Public Space (1998)Critical Discourse Analysis (2000)Voices of Modernity (2003)Performing tourism, staging tourism (2001)‘Entrepreneuring’ as a conceptual attractor? A review of process theories in 20 years of entrepreneurship studies (2007)Retrospective Cultural Consecration in Popular Music (2005)Toward a Comparative Sociology of Valuation and Evaluation (2012)Hallyu across the Desert: K-pop Fandom in Israel and Palestine (2014)Language documentation (1999)Language ecology and endangerment (1999)The Cambridge Handbook of Endangered Languages (1999)
this work references cited by second hop

References

  • 20005. The Practice of Everyday Life10,734 cited
  • 1986The Practice of Everyday Life1,656 cited
  • 1994Language Ideology1,392 cited
  • 1998Global Pop: World Music, World Markets402 cited
  • 1995Theorizing Heritage314 cited
  • 1999The Invention of the Mizrahim215 cited
  • 1996The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s205 cited
  • 2004Popular Music and National Culture in Israel191 cited
  • 2005Adventures in Yiddishland: Postvernacular Language and Culture178 cited
  • 2003Global Pop, Local Language166 cited
  • 2016Modernity's ear: listening to race and gender in world music164 cited
  • 2010Playing across a divide: Israeli-Palestinian musical encounters83 cited
  • 2005Adventures in Yiddishland82 cited
  • 2009Playing across a Divide67 cited
  • 1986Beracha Zefira - A Case Study of Acculturation in Israeli Song53 cited
  • 2011Arab Cultural Studies: Mapping the Field46 cited

Cited by

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2021
Sonic masquerading in Israeli popular music: self-Imitation, accent, and mockery
5 cited