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Rasa revisited as the Kathakali actor's taste of aesthetic pleasure
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References

  • 1990Embodiment as a Paradigm for Anthropology1,896 cited
  • 2009Mirror Neurons, Embodied Simulation, and the Neural Basis of Social Identification499 cited
  • 2016A Rasa Reader225 cited
  • 2005Rasa: performing the divine in India106 cited
  • 2004Toward a Phenomenological Model of the Actor's Embodied Modes of Experience95 cited
  • 2003The Paper Canoe46 cited
  • 2016Stanislavsky and Yoga31 cited
  • 2017Stanislavsky in the World29 cited
  • 1967The Kathakali Theatre28 cited
  • 1993The Moral Community of the Teyyattam: Popular Culture in Late Colonial Malabar24 cited
  • 2015Crafting fidelity: pedagogical creativity in kathak dance16 cited
  • 2000Embodying the Lion's ‘fury’11 cited
  • 2011Psychophysical Approaches and Practices in India: Embodying Processes and States of ‘Being–Doing’9 cited
  • 2015The art of creating a Kathakali performer’s ‘Presence’9 cited
  • 1955Kathakali : the sacred dance-drama of Malabar6 cited
  • 1988The Kathakaḷi Complex: Actor, Performance and Structure6 cited

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